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ENRIQUE MARTÍNEZ CELAYAimages curriculum

ENRIQUE MARTÍNEZ CELAYA | La puerta (para Tomasito) | 2023

Oil, wax, and charcoal on canvas · 299,72 x 381 cm

ENRIQUE MARTÍNEZ CELAYA | La escalera de flores | 2023

Oil, wax, and charcoal on canvas · 299,72 x 381 cm

ENRIQUE MARTÍNEZ CELAYA | The Omen (Protea) | 2023

Oil and wax on canvas · 182,88 x 152,4 cm

ENRIQUE MARTÍNEZ CELAYA | The Omen (Blue Poppy), The Omen (Gladiola), The Omen (First White Lily) | 2023

Oil and wax on canvas · 182,88 x 152,4 cm (each)

ENRIQUE MARTÍNEZ CELAYA | Guardare e Aspettare | 2023

Installation view · Museo Marino Marini, Firenze

ENRIQUE MARTÍNEZ CELAYA | The Treasure of the patient | 2015

Metal, wire and bronze sculpture · 213,4 x 121,9 x 154.9 cm

ENRIQUE MARTÍNEZ CELAYA | The Cascade and The Fountain | 2013

Installation view · SITE Santa Fe in The Pearl

ENRIQUE MARTÍNEZ CELAYA | The Tower of the Snow | 2012

Installation view · Great Courtyard of the State Hermitage Museum, St. Petersburg, Russia

ENRIQUE MARTÍNEZ CELAYA | The Fury | 2021

Installation view · Huntington Art Museum (Pasadena)

ENRIQUE MARTÍNEZ CELAYA | There-Bound | 2021

Installation view · The Huntington Library, Art Museum, and Botanical Gardens

ENRIQUE MARTÍNEZ CELAYA | “The Redeemer” , “The Murmuring Shell” , “The Knowledge”, “The Gift of Revisiting” and “The Explorer”

Installation view · Artist’s studio

ENRIQUE MARTÍNEZ CELAYA | The Angel of Frost | 2017

Oil and wax on canvas · 198,12 x 254 cm

ENRIQUE MARTÍNEZ CELAYA | The Hunt’s Will | 2012-2013

Installation view · LA Louver Gallery

ENRIQUE MARTÍNEZ CELAYA | Nunca y Seimpre (Never and Always) | 2007 | Miami Art Museum , Florida

Oil and wax on canvas · 294.6 x 635 cm

Born in 1964 in Palos, Cuba

Living and working in Los Angeles

Academic Achievements and Education

  • Provost Professor of Humanities and Arts, University of Southern California, 2017-present
  • Roth Distinguished Visiting Scholar, Dartmouth College, 2016-2017
  • Montgomery Fellow, Dartmouth College, 2014-present
  • Visiting Presidential Professor, University of Nebraska, 2007–2010
  • Associate Professor, Pomona College and Claremont Graduate University, 1994-2003
  • MFA, University of California, Santa Barbara, 1994
  • Skowhegan School of Painting and Sculpture, 1994
  • MS, University of California, Berkeley, 1988
  • BS, Cornell University, 1986

Selected Solo Exhibitions

2024
  • Here to kneel, Voyagers, Patricia Low Contemporary, Venice, Italy
  • The Word-Shimmering Sea: Diego Velázquez / Enrique Martínez Celaya, The Hispanic Museum & Library, New York, USA
  • Los muertos llaman al alba, Museo Nacional de Bellas Artes de La Habana, La Habana, Cuba
  • The Grief of Almost, Hood Museum of Art, Dartmouth College, Hanover, USA
2023
  • Museo Marino Marini, Watching and Waiting: Enrique Martínez Celaya Selected Sculpture 2005–2023, Florence, Italy
2022
  • The Foreigner’s Song, Miles Mcenery Gallery, New York
  • Rose Garden, UTA Artist Space, Beverly Hills, California
  • Hood Museum of Art, Dartmouth College, The Grief of Almost, Hanover, New Hampshire
  • Fisher Museum of Art, University of Southern California, SEA SKY LAND: towards a map of everything, Los Angeles, California
  • Monterey Museum of Art, Enrique Martínez Celaya and Robinson Jeffers, Monterey, California
  • Doheny Memorial Library, University of Southern California, Enrique Martínez Celaya and Robinson Jeffers, Los Angeles, California
2021
  • Un Poema a Madrid, Casado Santapau Gallery, Madrid
  • There-BoundThe Huntington Library, Art Collections, and Botanical Gardens, San Marino, California
  • Jack Shainman Gallery, New York, New York
  • Galerie Judin, Enrique Martínez Celaya and Kathe Köllwitz, Berlin, Germany
  • Baldwin Gallery, Aspen, Colorado
2019
  • Blain|Southern, The Mariner’s Meadow, London, United Kingdom
  • 13th Havana Biennial, Detrás del Muro, Havana, Cuba
  • Kohn Gallery, The Tears of Things, Los Angeles, California
2018
  • Galleri Andersson/Sandström, The Other Life, Stockholm, Sweden
2017
  • Jack Shainman Gallery, The Gypsy Camp, New York, New York
  • Galerie Judin, The Mirroring Land, Berlin, Germany
  • Fredric Snitzer Gallery, Nothing That Is Ours, Miami, Florida
2016
  • The Phillips Collection, One-on-One: Enrique Martínez Celaya/ Albert Pinkham Ryder, Washington, D.C.
  • Abroms-Engel Institute for the Visual Arts, Small Paintings: 1974- 2015, Birmingham, Alabama
  • Para n, Self and Sea, London, United Kingdom Baldwin Gallery, Self and Land, Aspen, Colorado
2015
  • Jack Shainman Gallery, Empires: Land and Empires: Sea, New York, New York
  • A. Louver, Lonestar, Venice, California
2014
  • Hood Museum of Art, Dartmouth College, Burning as It Were a Lamp,
    Hanover, New Hampshire
  • Galleri Andersson/Sandström, A Wasted Journey, A Half- nished
    Blaze, Umeå, Sweden
  • Para n, The Seaman’s Crop, London, United Kingdom
2013
  • Strandverket Konsthall, The Tower of Snow, Marstrand, Sweden
  • SITE Santa Fe, The Pearl, Santa Fe, New Mexico
  • Fredric Snitzer Gallery, Burning as It Were a Lamp, Miami, Florida
2012
  • The State Hermitage Museum, The Tower of Snow, St. Petersburg, Russia L.A.
  • Louver, The Hunt’s Will, Venice, California
  • Galleri Andersson/Sandström, Roadhome, Stockholm, Sweden
  • Galería Joan Prats, El cielo de invierno, Barcelona, Spain
2011
  • Miami Art Museum, Schneebett, Miami, Florida
  • A. Louver Gallery, Wormwood, Venice, California Liverpool Street Gallery, The Clip, Sydney, Australia
2010
  • Simon Lee Gallery, The Open, London, United Kingdom
  • Cathedral Church of St. John the Divine, The Crossing, New York,
    New York
  • Baldwin Gallery, The Palace, Aspen, Colorado
2009
  • Akira Ikeda Gallery, An Empty Space, New York, New York
  • Sara Meltzer Gallery, Down With Me, New York, New York
  • Boca Raton Museum of Art, An Un nished Conversation: Collecting Enrique Martínez Celaya, Boca Raton, Florida
2008
  • A. Louver, Daybreak, Venice, California
  • Liverpool Street Gallery, The Lovely Season, Sydney, Australia
2007
  • Miami Art Museum, Nomad, Miami, Florida
  • Akira Ikeda Gallery, Six Paintings on the Duration of Exile,
    Taura, Japan
  • John Berggruen Gallery, For two Martinson poems, poorly
    understood, San Francisco, California
  • Sara Meltzer Gallery, Awaiting a second plan, New York, New York
2006
  • Museum der bildenden Künste Leipzig, Schneebett, Leipzig, Germany Sheldon
  • Museum of Art, University of Nebraska, Coming Home,
    Lincoln, Nebraska
2005
  • Oakland Museum of California, Enrique Martínez Celaya. Works on
    Paper, Oakland, California
  • Brauer Museum of Art, Enrique Martínez Celaya: The Photographs,
    Valparaiso, Indiana
  • Akira Ikeda Gallery, Shore: “Is today yesterday?” (Part I), Berlin, Germany
  • Gri in Contemporary, Shore: “Is today yesterday?” (Part II), Santa Monica, California
2004
  • Berliner Philharmonie, Schneebett, Berlin, Germany
  • Colorado University Art Museum, Poetry in Process, Boulder,
    Colorado
  • Museum of Art Fort Lauderdale, The October Cycle, Fort Lauderdale, Florida
2003
  • John Berggruen Gallery, Recent Paintings, San Francisco, California
  • Sheldon Museum of Art, University of Nebraska-Lincoln, The October Cycle, Lincoln, Nebraska
2002
  • Massachusetts College of Art, Enrique Martínez Celaya: 1992-2000, Boston, Massachusetts
  • Gri in, Enrique Martínez Celaya, Santa Monica, California Danese Gallery, Enrique Martínez Celaya, New York, New York
2001
  • The Contemporary Museum, Honolulu, Enrique Martínez Celaya: 1992- 2000, Honolulu, Hawaii
  • The Orange County Museum of Art, Enrique Martínez Celaya: 1992- 2000, Newport Beach, California
  • Von der Heydt-Museum, Enrique Martínez Celaya, Wuppertal, Germany
2000
  • Gri in, Coming Home, Venice, California
  • Rena Bransten Gallery, Paintings of Mercy, San Francisco, California
  • Galería Ramis Barquet, Pinturas de merced, Monterrey, Mexico
1999
  • Andrew Mummery Gallery (at St. Pancras Chambers), The Field,
    London, United Kingdom
1998
  • Galerie Bäumler, Recent Works, Regensburg, Germany
  • Luigi Marrozzini Gallery, Enrique Martínez Celaya, San Juan, Puerto Rico
  • Gri in, Enrique Martínez Celaya, Venice, California Baldwin Gallery, New Work, Aspen, Colorado
1997
  • Burnett Miller Gallery, Redemption, Santa Monica, California
1996
  • Bronx Museum of the Arts, Recent Work, Bronx, New York
1995
  • Dorothy Goldeen Gallery, Lions of Frosting, Santa Monica, California
1994
  • University Art Museum, University of California, Black Paintings, Santa Barbara, California

Selected Collections

  • Metropolitan Museum of Art, New York, New York
  • The State Hermitage Museum, St. Petersburg, Russia
  • Whitney Museum of American Art, New York, New York
  • Los Angeles County Museum of Art, Los Angeles, California
  • The Phillips Collection, Washington, D.C.
  • Moderna Museet, Stockholm, Sweden
  • Museum of Contemporary Art, Los Angeles, California
  • The Huntington Library, Art Museum, and Botanical Gardens, San Marino, California
  • Wadsworth Atheneum Museum of Art, Hartford, Connecticut
  • The Olbricht Collection, Berlin, Germany
  • Pérez Art Museum Miami, Florida
  • The Wieland Collection, Smyrna, Georgia
  • Columbus Museum of Art, Columbus, Ohio
  • Tucson Museum of Art, Tucson, Arizona
  • UCLA Charles E. Young Research Library Special Collections, Los Angeles, California
  • USC Edward L. Doheny Jr. Memorial Library, Los Angeles, California
  • Hood Museum of Art, Dartmouth College, Hanover, New Hampshire
  • Museum der bildenden Künste Leipzig, Germany
  • The Museum of Fine Arts, Houston, Texas
  • Denver Art Museum, Denver, Colorado
  • Mildred Lane Kemper Museum, Washington University, St. Louis, Missouri
  • The Graduate Center of the City University of New York, New York
  • Portland Art Museum, Portland, Oregon
  • Strandverket Konsthallen, Marstrand, Sweden
  • Dartmouth College, Hanover, New Hampshire
  • Museum of Contemporary Art, San Diego, California
  • Oakland Museum of California, Oakland, California
  • Palm Springs Art Museum, Palm Springs, California
  • Museum of Contemporary Art San Diego, California
  • The Patricia & Phillip Frost Art Museum, Miami, Florida
  • Mildred Lane Kemper Art Museum, Washington University, St. Louis, Missouri
  • NSU Art Museum Fort Lauderdale, Florida
  • Sheldon Museum of Art, Lincoln, Nebraska
  • Joan Flasch Artists’ Book Collection, School of the Art Institute of Chicago, Chicago, Illinois
  • North Carolina Museum of Art, Raleigh, North Carolina
  • Weatherspoon Art Museum, Greensboro, North Carolina
  • The Colorado Collection, Boulder, Colorado
  • Frederick R. Weisman Art Museum, Minneapolis, Minnesota
  • Anderson Ranch Arts Center, Aspen, Colorado
  • US Bank, Minneapolis, Minnesota
  • Henry Art Gallery, University of Washington, Seattle, Washington
  • Boca Raton Museum of Art, Boca Raton, Florida
  • The Contemporary Museum, Honolulu, Hawaii
  • Neues Stadtmuseum der Stadt Landsberg/Lech, Germany
  • Figge Art Museum, Davenport, Iowa
  • The Bronx Museum of the Arts, Bronx, New York
  • Museum of Nebraska Art, Kearney, Nebraska
  • Pomona College Museum of Art, Claremont, California
  • Arkansas Art Center, Little Rock, Arkansas
  • Brauer Museum of Art, Valparaiso, Indiana

Selected Honors and Fellowships

  • Doctor Honoris Causa, Otis College of Art and Design, 2020
  • Commencement Address Speaker, Otis College of Art and Design, 2020
  • Visual Arts Fellow, The Huntington Library, Art Museum, and Botanical Gardens, 2019
  • Phi Kappa Phi Faculty Recognition Award, University of Southern California, 2019
  • International Advisory Council, The Hispanic Society Museum & Library, 2018
  • Fellow, Los Angeles Institute for the Humanities, University of Southern California, 2017
  • Roth Distinguished Visiting Scholar, Dartmouth College, 2016-2017
  • Montgomery Fellow, Dartmouth College, 2014
  • ecil and Ida Green Honors Chair, Texas Christian University, 2014
  • Knight Foundation Grant, 2013
  • Visiting Presidential Professor, University of Nebraska, 2007-2010
  • National Artist Award, Anderson Ranch Arts Center, 2007
  • California Community Foundation Fellowship, J. Paul Getty Trust Fund
    for the Visual Arts, 2001
  • Young Talent Award, Los Angeles County Museum of Art, 1998

Bibliography ( Selected Books and Monographs )

  • Enrique Martínez Celaya: The Mariner’s Meadow. London: Blain|Southern, 2019. Texts by Barry Schwabsky and Enrique Martínez Celaya, and interview with Anouchka Grose.
  • nrique Martínez Celaya: The Other Life. Stockholm: Galleri Andersson/ Sandström, 2018. Text by Enrique Martínez Celaya.
  • Enrique Martínez Celaya: The Mirroring Land. Berlin: Galerie Judin, 2017. Texts by Pay Matthis Karstens and Annette Dorgerloh.
  • Enrique Martínez Celaya: Small Paintings 1974-2015.
  • Birmingham: Abroms- Engel Institute for the Visual Arts, 2016. Text by Lisa Tamiris Becker.
  • Martínez Celaya, Work and Documents 1990-2015.
  • Santa Fe: Radius Books, 2016. Texts by Daniel A. Siedell and Enrique Martínez Celaya.
  • Enrique Martínez Celaya: The Tower of Snow. Miami: Miami-Dade College in collaboration with Whale & Star Press, 2016. Texts by Dr. Eduardo J. Padrón, Carlos Eire, and interview with Jeremy Mikolajczak.
  • Enrique Martínez Celaya: The Pearl. Santa Fe: Radius Books, 2013. Text by Irene Hofmann.
  • Enrique Martínez Celaya: Working Methods/Métodos de trabajo. Barcelona, Spain: Ediciones Polígrafa, 2013. Texts by Mary Rakow and Matthew Biro.
  • An Un nished Conversation: Collecting Enrique Martínez Celaya. Boca Raton: Boca Raton Museum of Art, 2009. Texts by Martin Brest, Wendy Blazier, and Daniel A. Siedell.
  • Venice: LA Louver Gallery, 2009. Text by Enrique Martínez Celaya.
  • The Lovely Season. Sydney: Liverpool Street Gallery, 2008. Text by
    The Return of the Storks.
  • Berlin: Akira Ikeda Gallery, 2008. Text by Lorie Karnath with illustrations by Enrique Martínez Celaya.
  • Delray Beach: Miami Art Museum in collaboration with Whale & Star Press, 2007.
  • Another Show for the Leopard. Aspen: Baldwin Gallery, 2007.
  • Poetry and Process. Boulder: CU Art Museum, 2007. Text by Lisa Tamiris Becker.
  • Martínez Celaya: Early Work. Delray Beach: Whale & Star Press, 2006. Texts by Daniel A. Siedell, Thomas McEvilley, John Felstiner, Christian Williams and Enrique Martínez Celaya.
  • The October Cycle. Seattle: Marquand Books; Published in association with Sheldon Memorial Art Gallery and Sculpture Garden, University of Nebraska- Lincoln, 2003. Texts by Daniel A. Siedell and Enrique Martínez Celaya.
  • All the eld is ours. Santa Monica: Gri in Contemporary, 2003. Text by Thomas McEvilley.
  • Enrique Martínez Celaya, 1992-2000. Cologne: Wienand Verlag, 2001. Texts in English and German by Charles Merewether, Abigail Solomon-Godeau, Howard N. Fox, Rosanna Albertini, Judson J. Emerick, Arden Reed, and Colette Dartnall.
  • Amerika–Europa: Ein künstlerischer Dialog. Wuppertal, Germany: Von der Heydt-Museum, 2001. Texts by Sabine Fehlemann, Peter Frank, Pontus Hultén, Dieter Rosenkranz, Klaus Weber, Wulf Herzogenrath, Marlene Baum, and Charles Merewether.
  • Pinturas de Merced. Monterrey, Mexico and New York: Galería Ramis Barquet, 2000. Text by Charles Merewether.
  • Enrique Martínez Celaya: Works on Paper and Poems. San Juan, Puerto Rico: Luigi Marrozzini Gallery and Santa Monica: Gri in Contemporary, 1998.
  • The Black Paintings: Poems and Visual Works. Santa Barbara: University Art Museum, 1994.

Bibliography ( Books by the Artist )

  • Enrique Martínez Celaya: Collected Writings and Interviews, 2010-2017.
  • Lincoln: University of Nebraska Press, 2020.
  • On Art and Mindfulness: Notes from the Anderson Ranch (2nd ed.). Los Angeles: Whale & Star Press in collaboration with the Anderson Ranch Arts Center, 2018.
  • On Art and Mindfulness: Notes from the Anderson Ranch. Los Angeles: Whale & Star Press in collaboration with the Anderson Ranch Arts Center, 2015.
  • Enrique Martínez Celaya: Collected Writings and Interviews, 1990-2010.
  • Lincoln and London: University of Nebraska Press, 2010.
  • The Nebraska Lectures, 2007-2010. Lincoln and London: University of Nebraska Press, 2010.
  • The Blog: Bad Time for Poetry. Delray Beach: Whale & Star Press, 2009.
  • Los Angeles: Whale & Star Press, 2002.
  • Amsterdam: Cinubia, 2001.
  • Los Angeles: Stephen Cohen Gallery and William Gri in Editions, 1998.
  • Publications, Interviews, Essays, and Statements by the Artist
    Byrne, Elena Karina. “Truth-Maps: A Conversation with Enrique Martínez Celaya.” Los Angeles Review of Books, 20 August 2020.
  • “Artist Enrique Martínez Celaya Reads Miguel Hernández.” Interesting People Reading Poetry, 11 June 2019.
  • “Artist Talk: Enrique Martínez Celaya in conversation with Sir Charles Saumarez Smith.” YouTube, uploaded by Blain|Southern, 30 May 2019.
  • “Entrevista a Enrique Martínez Celaya artista invitado a la 13 Bienal de La Habana.” YouTube, uploaded by Centro de Arte Contemporáneo Wilfredo Lam, 14 April 2019.
  • Barrie, Lita. “Interview with Enrique Martínez Celaya.” ArtLa-bas, 9 March 2019.
  • “Enrique Marínez Celaya’s Poetic Seas.” Frieze, 8 February 2019: video.
  • Enrique Martínez Celaya in conversation with Lilly Wei.” Vimeo, uploaded
    by Robischon Gallery, 4 February 2019.
  • Quinn, Joan Agajanian. “Enrique Martínez Celaya.” Beverly Hills View, 21 November 2018: television.
  • “Faces of CGU: Enrique Martínez Celaya.” YouTube, uploaded by Claremont Graduate University, 24 May 2018.
  • Marks, Michael. “Interview with Enrique Martínez Celaya.” FATE in Review, 2017-2018 (Foundations in Art: Theory and Education), May 2018.
  • Castenfors, David. “Martínez Celaya är i stan (Martínez Celaya is in town.)” ArtLover Magazine, Volume 34, May 2018.
  • “The Present and The Box.” The Brooklyn Rail, 5 March 2018.
  • “Enrique Martínez Celaya.” Raine Magazine, Volume 31, 29 January 2018.
  • “Interview with Enrique Martínez Celaya.” It’s A Question of Balance with Ruth Copland, KSCO: 1080 AM (Santa Cruz), 11 November 2017, 2 December 2017, and 10 February 2018: podcast.
  • “Re ections on Slowness and Art.” The Brooklyn Rail, 7 September 2017.
  • Interview with Enrique Martínez Celaya.” On Being with Krista Tippet,
    15 June 2017: podcast.
  • “The Artist as Prophet with Enrique Martínez Celaya.” On Contact with
    Chris Hedges, 29 April 2017: television
  • “Interview with Enrique Martínez Celaya.” Enrique Martínez Celaya: The Tower of Snow. Miami: Miami-Dade College in collaboration with Whale & Star Press, 2016. Interview with Jeremy Mikolajczak, Executive Director and Chief Curator of MDC Museum of Art + Design.
  • “Enrique Martínez Celaya: The Self Regained.” Installation Magazine, Issue 40, 7 February 2014.
  • Ostrow, Saul. “Enrique Martínez Celaya.” BOMB, 22 April 2014.
  • “The Pearl: Between Life and Dreams.” Enrique Martínez Celaya: The Pearl. Santa Fe: Radius Books, 2013. Interview with Irene Hofmann, Director and Chief Curator of SITE Santa Fe.
  • “Interview with Enrique Martínez Celaya.” Enrique Martínez Celaya: Working Methods/Métodos de trabajo. Barcelona, Spain: Ediciones Polígrafa, 2013.
  • Interview with Leo A. Harrington and Mary Rakow.
  • O’Hanian, Hunter. “EMC2,” AspenPeak, Winter 2008/Spring 2009. Serisier, Gillian. “Painting Himself Out of the Picture.” Artist Pro le, Issue 4, August 2008.
  • “Art and Museums.” Journal of Aesthetic Education, 41/2, Summer 2007: 17-21.
  • “Boy Raising His Arm.” Excerpt from a statement to curator Klaus Ottmann for the work Boy Raising His Arm, for OPEN e v+a–a sense of place, March 30-June 24 in Limerick, Ireland, 2007.
  • “A Personal Note on Art and Compassion.” works + conversations, No. 14, 10 April 2007.
  • “Introductions to Projects.” Martínez Celaya: Early Work. Delray Beach: Whale & Star Press, 2006.
  • “Shaping Language.” How I Learned English, ed. Tom Miller. Washington D.C.: National Geographic Society, 2007, 111-114. Also published in Spanish.
  • Whittaker, Richard. “A Conversation with Enrique Martínez Celaya, Self & Beyond Self.” works + conversations, No. 9, October 2004.
  • Schneebett (2004), at the Berliner Philharmonie, Berlin, Germany, September 2004.
  • “Twelve Thoughts on the October Cycle.” Enrique Martínez Celaya: The October Cycle, 2000-2002.
  • Seattle, Washington: Marquand Books in association with Sheldon Memorial Art Gallery and Sculpture Garden, University of Nebraska-Lincoln, 2003, 81-83.
  • Also published in Enrique Martínez Celaya: Poetry in Process. Boulder: CU Art Museum, 2004, 78-85.
  • Wolgamott, L. Kent. Radio interview with Enrique Martínez Celaya, 23 November 2003. Excerpts published in “A Premonition of Winter: Enrique Martínez Celaya’s ‘The October Cycle’ is a contemplation of time, memory,” Lincoln Journal Star, 7 December 2003.
  • Ho mann, Roald. “The Fuzzy Boundary: Science and Art,” Enrique Martínez Celaya: Poetry in Process. Boulder: CU Art Museum, 2003.
  • Fox, Howard N. “Interview with Enrique Martínez Celaya,” Enrique Martínez Celaya 1992-2000. Cologne, Germany: Wienand, 2001.
  • “Preface.” Selections from Charles Baudelaire, Les Fleurs du mal, with the original etchings by Odilon Redon. Venice: Whale & Star Press, 2001, 7 December 2000.
  • “Notes to Anne Trueblood Brodzky.” Unbroken Poetry: The Work of Enrique Martínez Celaya. Venice: Whale & Star Press, 1999.
  • Yariv, Amnon. “Compassion and Subjectivity (Conversation with Amnon Yariv and Enrique Martínez Celaya).” Unbroken Poetry: The Work of Enrique Martínez Celaya. Venice: Whale & Star Press, 1999.
  • Greenstein, M.A. “Why Hegel?” Enrique Martínez Celaya: Berlin, The Fragility of Nearness. Venice: William Gri in Editions, 1998.
  • “A Manifesto.” Black Paintings: Poems and Visual Works. Santa Barbara: University Art Museum, May 1994.
  • Miles, Christopher. “A Conversation with Enrique Martínez Celaya.” Artweek, December 1997.
  • Selected Publications of Whale & Star Press (Founded by Martínez Celaya in 1998)
  • On Art and Mindfulness, Notes from the Anderson Ranch (2nd ed.). Los Angeles: Whale & Star Press in collaboration with Anderson Ranch Arts Center, 2018.
  • On Art and Mindfulness, Notes from the Anderson Ranch. Los Angeles: Whale & Star Press in collaboration with the Anderson Ranch Arts Center, 2015.
    Joy Goswami: Selected Poems. Miami: Whale & Star Press, 2014. Text by Roald Ho mann.
  • Cowboy Junkies: Nomad. Miami: Whale & Star Press, 2012. Texts by Michael Timmins and Rick Wallack.
  • Intimations, Selected Poems by Anna Akhmatova. Delray Beach: Whale & Star Press, 2009.
  • The Blog: Bad Time for Poetry. Delray Beach: Whale & Star Press, 2009.
  • odernist Archaist. Delray Beach: Whale & Star Press, 2008.
  • Delray Beach: Whale & Star Press in collaboration with Miami Art Museum, 2007.
  • The Conversations. Delray Beach: Whale & Star Press, 2007.
  • XX Cowboy Junkies. Delray Beach: Whale & Star Press, 2006.
  • Martínez Celaya: Early Work. Delray Beach: Whale & Star Press, 2006. Text by Daniel A. Siedell, Thomas McEvilley, Christian Williams, Enrique Martínez Celaya and John Felstiner, 2006.
  • Los Angeles: Whale & Star Press, 2002. Published in collaboration with Gri in Editions and Mark Hasencamp. Text and Photographs by Enrique Martínez Celaya. Volume I (the text) 140 pages. Volume II (a suite of 10 original black and white photographs). Edition of 60.
  • Sketches of Landscapes. Los Angeles: Whale & Star Press, 2002. Edited with commentaries by Enrique Martínez Celaya.
  • Selections from Les Fleurs du mal. Venice: Whale & Star Press, 2001. Joseph Beuys, Multiples and Other Forms of Politics. Venice: Whale & Star
    Press, 2001. Texts by Beatrice Foessel and Johannes Stuettgen.
  • Unbroken Poetry: The Work of Enrique Martínez Celaya. Venice: Whale & Star Press, 1999. Text by Anne Trueblood Brodsky.

Bibliography ( Essays, Articles and Reviews on the Artist )

  • Robbie, Erica. “‘Sculpturally Distanced’: Anderson Ranch’s 17-piece outdoor exhibition o ered for view.” Aspen Daily News, 14 July 2020.
  • Travers, Andrew. “Pop-Up Sculpture Garden: Anderson Ranch installs 17 artworks on Snowmass campus.” Aspen Times, 8 July 2020.
  • Davis, Dominic-Madori. “No more ritzy galas, dinner parties, or jet-set fairs: The art world is coming to terms with a ‘shelter-in-place’ market. 5 insiders reveal how the industry is faring — and their hopes for what’s next.” Business Insider, 13 June 2020.
  • “Enrique Martínez Celaya: The Sword or The Road.” Glasstire, 7 January 2020.
  • Collins, Bianca. “Paths of Gold: Enrique Martínez Celaya Takes the Road Less Traveled.” Artillery Magazine, November 2019.
  • Barrie, Lita. “Enrique Martínez Celaya’s The Tears of Things.” Riot Material, 21 October 2019.
  • Ohanesian, Liz. “Enrique Martínez Celaya Captures a Familiar Feeling in His First L.A. Show in 4 Years.” Los Angeles Magazine, 17 September 2019.
  • Goldman, Edward. “Three LA Exhibitions with Tears, Terror, and Radiance.” Art Matters with Edward Goldman, 17 September 2019.
  • Riefe, Jordan. “Artist Enrique Martínez Celaya and Fiancee Erica Packer Host Opening of New L.A. Show.” The Hollywood Reporter, 15 September 2019.
  • Dambrot, Shana Nys. “Enrique Martínez Celaya|The Universal Theory of Everything is Propped on a Pedestal.” Flaunt Magazine, 13 September 2019.
  • Moret, A. “Enrique Martínez Celaya, ‘The Tears of Things:’ A Re ection of Journey, Risk and Transformation.” Installation Magazine, 12 September, 2019.
  • “Your Concise Los Angeles Art Guide for Fall 2019.” Hyperallergic, 10 September 2019.
  • Nys Dambrot, Shana. “Best of L.A. Arts Fall Preview Pick: Enrique Martínez Celaya at Kohn Gallery.” LA Weekly, 19 August 2019.
  • “8 Contemporary Landscape Painters Pushing the Genre Forward.” Artspace, 17 July 2019.
  • Travers, Andrew. “Artist Enrique Martínez Celaya to premiere lm about his return to Cuba in Aspen.” The Aspen Times, 6 July 2019.
  • Kay, Christin. “Week In The Arts.” Aspen Public Radio, 5 July 2019. Khan, Tabish. “The Top 7 Art Exhibitions to see in London in July.” FAD Magazine, 30 June 2019.
  • Lucie-Smith, Edward. “Keith Tyson – Enrique Martínez Celaya: Two London
    ” Artlyst, 9 June 2019.
  • Chaundy, Bob. “Enrique Martínez Celaya ̵ The Mariner’s Meadow.” Considering
    Art, 28 May 2019.
  • “Blain|Southern opens rst exhibition with Los Angeles-based artist,
    Enrique Martínez Celaya.” artdaily, 27 May 2019.
  • “Enrique Martínez Celaya: The Mariner’s Meadow.” GalleriesNow, 22 May
  • “Los Angeles-based artist, Enrique Martínez Celaya The Mariner’s Meadow.”
    FAD Magazine, 21 May 2019.
  • “En La Habana, el arte tiene una vista al mar.” La Prensa, 16 April 2019.
  • Gutiérrez, Félix E. “Más de 300 creadores de 52 naciones participant en la XIII Bienal de La Habana.” El Ciudadano, 16 April 2019.
  • “Bienal de La Habana.” El Periódico, 16 April 2019.
  • “Artists descend on Havana as biennial kicks o .” The National, 15 April
  • “Detrás del Muro llega al Malecón: El Proyecto de arte público más grande de la Bienal se abre con un público entusiasta.” Cuban Art News, 15 April 2019.
  • “Art Frenzy Takes Over Havana as Biennial Kicks O .” New York Times, 14 April 2019.
  • Schwabsky, Barry. “Enrique Martínez Celaya.” Landscape Painting Now: From Pop Abstraction to New Romanticism. New York: Distributed Art Publishers, 2019: 186-189.
  • “The Best Art & Design Fairs this April: Art and design lovers will head to Milan, Dallas, and Havana for this month’s most anticipated fairs and exhibitions.” Galerie Magazine, 27 March 2019.
  • Nys Dambrot, Shana. “Winning Bronze: Public Sculptures Put People in Their Places.” LA Weekly, 14 March 2019.
  • Boyd, Kealey. “Paintings that Capture Our Ever-Changing Perceptions of Boyhood.” Hyperallergic, 4 March 2019.
  • “Enrique Martínez Celaya.” Wall Street International Magazine, 25 February 2019.
  • Tongco, Tricia. “USC’s Enrique Martínez Celaya Explores the Ties Between Art, Science and Philosophy.” USC Trojan Family, 15 February 2019.
  • Stomberg, Matthew. “Los Angeles Frieze fair: city bids to become the next art capital.” The Guardian, 13 February 2019.
  • Selvin, Claire. “Kohn Gallery Now Represents Enrique Martínez Celaya.” ARTnews, 11 February 2019.
  • Wei, Lilly. “Enrique Martínez Celaya: The Boy: Witness and Marker 2003- 2018.” Brooklyn Rail, 5 February 2019.
  • Van Straaten, Laura. “Frieze LA Art Fair Unveils Artists, Films and Talks.” Hollywood Reporter, 23 January 2019.
  • “First Look: The 2019 Havana Biennial. For the long-awaited 13th edition, new projects and an expanded vision.” Cuban Art News. 16 January 2019.
  • “Huntington Launches New Partnership with Artist Enrique Martínez Celaya Including Installation of Three Works.” www.huntington.org, 15 January 2019.
  • “USC Visions and Voices to present Work and Ideas: An Evening with Enrique Martínez Celaya.” Pomona Today, 16 October 2018.
  • “Prensky Island Press Visiting Artist Lecture: Enrique Martínez Celaya.” Kemper Art Museum, Washington University in St. Louis, 24 September 2018.
  • “Anderson Ranch Arts Center Welcomes Visiting Artist Enrique Martínez Celaya.” Anderson Ranch Arts Center, 26 June 2018.
  • Fanning, Leesa K. “The Spiritual in Contemporay Art.” Encountering the Spiritual in Contemporary Art. New Haven: Yale University Press, May 2018: 52-53.
  • “Anderson Ranch Editions brings art from the print shop to the public.” The Aspen Times, 24 May 2018.
  • “Enrique Martínez Celaya // The Other Life. 3.5-2.6 2018.” MyGuide2Stockholm, 7 May 2018.
  • “Poestiska installationer (Poetic installations).” Svenska Dagbladet, 5 May 2018.
  • Bedient, Calvin, & Lau, David (Eds.). “Enrique Martínez Celaya: Notes on the paintings.” Lana Turner: A Journal of Poetry & Opinion, No. 10. January 2018.
  • Goldstein, Caroline. “Enrique Martínez Celaya’s Enigmatic Art Re ects on Nature’s Power Using Paint, Canvas, and an Actual Airplane.” artnet News, 19 December 2017.
  • Swenson, Eric Minh. “Outside of Miami Basel, Fredric Snitzer Gallery Celebrated its 40th with Enrique Martínez Celaya Exhibit.” Hu Post, 12 December 2017.
  • “Enrique Martínez Celaya solo exhibition features new large-scale outdoor installation.” ArtDaily, 2 December 2017.
  • Uhlir, Katherine. “Enrique Martínez Celaya: A Personal Retrospective on Contemporary Art.” DenverArtMuseum.org, 3 November 2017.
  • “‘The Mirroring Land’ by Enrique Martínez Celaya at Galerie Judin, Berlin.” Blouin Artinfo, 16 October 2017.
  • Vaughan, RM. “Enrique Martínez Celaya: The Mirroring Land.” White Hot Magazine, 16 September 2017.
  • Smith, Nicola. “Art Notes: Dartmouth Hosts a Painter in Pursuit of Discoveries.” Valley News, 4 May 2017.
  • Hedges, Chris. “The Artist as Prophet with Enrique Martínez Celaya.” On Contact with Chris Hedges, 29 April 2017: television.
  • Little, Carl. “Enrique Martínez Celaya’s The First Kierkegaard.” Hyperallergic, 24 March 2017.
  • Brown, Liz. “Art Show.” Elle Decor, April 2017: 70-72.
  • Wei, Lilly. “Enrique Martínez Celaya: ‘The sense of past as memory always has force.’” Studio International, 21 April 2017.
  • Stapley-Brown, Victoria. “Three to See: New York. From Marsden Hartley’s Maine to Enrique Martínez Celaya’s Inquisitive Work.” The Art Newspaper, 30 March 2017.
  • Scher, Robin. “Enrique Martínez Celaya: The Gypsy Camp.” Riot Material, 29 March 2017.
  • Delson, Susan. “In the Gallery with Enrique Martínez Celaya: Re ecting on Cuban Identity, near-misses in painting, and reading Gabriel García Márquez.” Cuban Art News, 28 March 2017.
  • van Straaten, Laura. “Art Basel Miami Beach: Dizzying, Dazzling and Full of Dollar Signs.” Hollywood Reporter, 1 December 2016.
  • Hostetler, Sue. “Conversations: Enrique Martínez Celaya and Boris Hirmas Said.” Art Basel Magazine, December 2016: 156-157.
  • Silverstein, Hannah. “Roth Scholar Enrique Martínez Celaya on the State of the Artist.” The Dartmouth, 18 October 2016.
  • Cherian, Zach. “Roth Scholar: Enrique Martínez Celaya.” The Dartmouth, 27 September 2016.
  • Becker, Lisa Tamiris. “From the Everyday to the Epic.” Enrique Martínez Celaya: Small Paintings 1974-2015.
  • Birmingham: Abroms-Engel Institute for the Visual Arts, 2016.
  • Pener, Degen. “Private Lives.” Cultured, Summer 2016: 130.
  • Travers, Andrew. “Self, Land and Enrique Martínez Celaya.” Aspen Times,
    23 June 2016: 32.
  • Cain, Hector. “Self and Sea by Enrique Martínez Celaya delves into the
    Depths of Portraiture at Para n Gallery.” Widewalls, May 2016.
  • Beckenstein, Joyce. “Back to a Changing Garden at LongHouse Reserve.”
    The New York Times, 7 May 2016.
  • McMahon, Katherine. “L.A. Habitat: Enrique Martínez Celaya.” ArtNews, 6
    May 2016.
  • Jordan, Eliza. “Enrique Martínez Celaya talks Physics, Writings and
    ‘Empires.’” Whitewall Magazine, 28 October 2015.
  • Frank, Priscilla. “You’ll Never Make Authentic Art If You Aim To Please.” The Hu ington Post, 2 October 2015.
  • Zimmer, Lori. “Between Land and Sea: Enrique Martínez Celaya at Jack Shainman Gallery.” Art Nerd, 5 October 2015.
  • Burns, Charlotte and Pac Pobric. “Top Seven Gallery Shows in New York This Week: Enrique Martínez Celaya at Jack Shainman Gallery.” Art Newspaper, 8 September 2015.
  • Gough, Cat. “Enrique Martínez Celaya.” Elephant, 18 September 2015.
  • Nieminen, Robert. “Inside the Artist’s Studio.” Interiors & Sources,
    September 2015: 22.
  • Nys Dambrot, Shana. “Artist pro le: Enrique Martínez Celaya.” art ltd., July/August 2015: 60.
  • Herold, Ann. “Artist Enrique Martínez Celaya Comes Out of Hiding.” Los Angeles Magazine, July 2015: 49.
  • Travers, Andrew. “Enrique Martínez Celaya’s ‘On Art and Mindfulness.’” The Aspen Times, 23 June 2015: A3.
  • Ollman, Leah. “Windows to the Soul.” Los Angeles Times, 11 April 2015: E2.
  • Goldman, Edward. “Trippin’ with Enrique Martínez Celaya.” KCRW, 8 April 2015.
  • Slenske, Michael. “The Prophet.” Modern Painters, April 2015: 62-67.
  • Burns, Charlotte and Pac Pobric. “What to see at the fairs in New York this week.” The Art Newspaper, 12 March 2015.
  • Romano, Mary and James Tarmy. “U.S. Collectors Look to Cuba as Next Hot Art Market.” Bloomberg, 21 December 2014.
  • Slenske, Michael. “Grand Immersion.” Wall Street Journal Magazine, September 2014: 64.
  • Landi, Ann. “Facing the Blank Canvas.” ARTnews, June 2014: 73.
  • Weibull, Hedvig. “Kubansk-amerikansk konstnär inspireras av Harry Martinson.” SVT Kultur, 02 February 2014.
  • Matos, Dennys. “Enrique Martínez Celaya: Al Borde del Camino” El Nuevo
    Herald, 05 January 2014.
  • Cooper, Ashton. “Burning Angels.” Blouin ArtInfo, 3 December 2013.
  • Reed, Arden. “Enrique Martínez Celaya: SITE Santa Fe.” Art in America, October 2013.
  • Tresp, Lauren. “The Pearl of Memory.” ARTslant, 26 September 2013.
  • McLister, Iris. “Enrique Martínez Celaya: ‘The Pearl’ at SITE Santa Fe ‘Concepts and Studies for The Pearl’ at James Kelly Contemporary.” art ltd, September/October 2013.
  • Davis, Kathryn M. “Enrique Martínez Celaya: Concepts and Studies for the Pearl.” THE Magazine, September: 47.
  • Honigman, Ana Finel. “Critic’s Picks: Enrique Martínez Celaya at SITE Santa Fe.” Artforum, 7 August 2013.
  • Pobric, Pac. “Home from home: Pac Pobric on Enrique Martínez Celaya’s ‘The Pearl’ at SITE Santa Fe.” The Art Newspaper, 16 July 2013.
  • askin, David. “Enrique Martínez Celaya: From the Cliché to the Archetype.” Arte Al Día, Issue 143: 60-67.
  • Abatemarco, Michael. “Domestic disturbance: Enrique Martínez Celaya’s ‘The Pearl’.” Santa Fe New Mexican, 12 July 2013: Pasatiempo 38-40.
  • Roberts, Kathaleen. “SITE Santa Fe evolves to display ‘The Pearl’.” Albuquerque Journal, 11 July 2013.
  • Wood, Eve. “Enrique Martínez Celaya: L.A. Louver.” Artillery, March/ April, 2013: 47.
  • Frank, Peter. “Haiku Review: Enrique Martínez Celaya.” The Hu ington Post, 6 February 2013.
  • Ollman, Leah. “Critics Choice: Enrique Martínez Celaya art of displacement and longing.” Los Angeles Times, 23 November 2012.
  • “Enrique Martínez Celaya: The Hunt’s Will.” Artweek LA, 12 November 2012.
  • Chavez, Juan Carlos. “A oran los recuerdos con escultura homenaje a
    Operación Pedro Pan en Miami.” El Nuevo Herald, 19 October 2012.
  • Persman, Joanna. “Längtan i exil blir en fullträ (Longing in exile, a
    direct hit).” Svenska Dagbladet, 12 September 2012: 6.
  • Althén, Kajsa. “Exil med många möjligheter (Exile with many possibilities).”
    Västerbottens-Kuriren, 31 August 2012.
  • Shaw, Anny. “Monumental sculpture inspired by Cuban exodus unveiled at
    ” The Art Newspaper, 8 July 2012.
  • Shaw, Anny. “Hermitage buys Martínez Celaya’s rst video.” The Art
    Newspaper, No. 231, January 2012: 6.
  • Gra , Gary. “Cowboy Junkies Getting Back to ‘The Folk Vibe’ on ‘The
    ’” Billboard Magazine, 8 March 2012.
  • G. “Enrique Martínez Celaya.” Arte y Parte, February: 85.
  • Hernández, Noelia. “Ficción invernal.” La Vanguardia, 22 February 2012: Cultura 20.
  • Soto, Karen. “Los aventajados hemisferios de Enrique Martínez Celaya.” Complot Magazine, February 2012: 60-63.
  • Alvarez, Lizette. “Miami Is Now About Art.” New York Times, 30 November 2011: front page, Section C page 2.
  • Wol , Rachel. “Miami Ice: A View of Beethoven.” Wall Street Journal, 28 October 2011: D4.
  • Wallwork, Rebecca. “Fantastic Journey: Artist Enrique Martínez Celaya sheds new light on exile experience.” Modern Luxury, December 2011: 204.
  • Bonadio, Jocelyn. “Beethoven in a New (Darker Light).” WQXR: 105.9 FM (New York), 9 November 2011.
  • Tschida, Anne. “Snows of Exile: Enrique Martínez Celaya Schneebett at the Miami Art Museum.” The Miami Herald, 16 October 2011: 3M.
  • Hood, John. “NiteTalk: Sleeptalking to Beethoven.” NBC Miami, 14 October 2011.
  • Moreno, Sarah. “Beethoven: inspiración y ausencia en arte universal.” El
    Nuevo Herald, 13 October 2011.
  • Lamb, Camille. “Enrique Martínez Celaya Schneebett, Beethoven’s Frigid Deathbed, Opens at Miami Art Museum.” Miami New Times, 11 October 2011.
  • Ollman, Leah. “Art review: Enrique Martínez Celaya at L.A. Louver.” Los Angeles Times, 23 June 2011.
  • Fernandez, Juan. “La Ciencia Como Arte.” SUMMUS, June-September 2011: 44-53.
  • Mendelssohn, Joanna. “Enrique Martínez Celaya: The Cli .” Studio International, 27 May 2011.
  • McDonald, John. “From the Heart.” The Sydney Morning Herald, 7-8 May 2011: Spectrum II, Visual Art.
  • Serisier, Gillian. “Fighting the Narrative Pull.” Australian Art Collector, Issue 56, April-June 2011: 160-169.
  • Gibson, Prue. “Seductive ctions: Enrique Martínez Celaya.” Art Monthly,
    6 May 2011.
  • Gall, Naomi. “Enrique Martínez Celaya: The Cli .” ArtLink, May 2011: Vol 31, No. 3.
  • Sommereyns, Omar. “Power Players 2011.” Florida International Magazine, April 2011: 75.
  • Leyva, Irina. “Enrique Martínez Celaya.” ArtNexus, No. 80, Vol. 10, 2011: 100.
  • Orel, Gwen. “Cowboy Junkies’ Margo Timmins Goes Underneath Her Covers.” The Wall Street Journal, 4 February 2011.
  • “The Grand Show: Enrique Martínez Celaya. Selected Work 1992–2010.” ArtCircuits, 12 February 2011.
  • Frederick, Sara. “Enrique Martínez Celaya: Selected Work/Obra Selecta 1992-2010.” Miami Herald, 16 January 2011: 2M.
  • Colapinto, John. “Just Have Less.” The New Yorker, 3 January 2011: 37.
  • Japour, Anthony. “Brilliance in Our Midst.” SocialMiami.com, 9 January 2011.
  • Milliner, Matthew. “The Return of the Religious in Contemporary Art.” The Hu ington Post, 6 January 2011.
  • Moreno, Sarah. “Bienal De Arte Dice Adios.” El Nuevo Herald, 2011.
  • Sokol, Brett. “Divine Aspiration.” Ocean Drive, September 2010: 122;124.
  • Batet, Janet. “Enrique Martínez Celaya.” ArtNexus, No. 76, Vol. 9, 2010: 105.
  • Wolgamott, Kent L. “Enrique Martínez Celaya writings rigorous, enlightening and stimulating.” Lincoln Journal Star, 4 December 2010.
  • Turner, Elisa. “Critic’s Choice, Best Openings.” ArtCircuits, 20 December 2010: Vol 08, No 50.
  • Gaskell, Ivan. “A Nietzschean Encounter.” The Wanderer: Foreign Landscapes of Enrique Martínez Celaya. New York: Museum of Biblical Art, 2010: 50-64.
  • Milliner, Matthew J., “Ambiguity at the American Acropolis.” The Public Discourse, 11 November 2010.
  • Ha, Christina. “The Wanderer: Foreign Landscapes of Enrique Martínez Celaya at Museum of Biblical Art in New York.” Sunday Arts News. PBS Thirteen–New York Public Media, New York, NY, 11 October 2010.
  • Reno, R.R. “The Body of Death, Pictured.” First Things, 14 October 2010.
  • Fernandez, Enrique. “Enrique Martínez Celaya is Miami’s most exotic Cuban artist.” Poder, 7 September 2010.
  • Brooks, Samantha. “Big Sur.” Robb Report, August 2010: 126-132.
  • Batet, Janet. “Arte, Compromiso Moral y Profecía (Art, Moral Commitment and Prophecy).” El Nuevo Herald, 4 July:
  • Ollman, Leah. “Enrique Martínez Celaya.” Art in America, Exhibition Reviews, March 2009: 153.
  • Neil, Jonathan T.D. “Enrique Martínez Celaya.” ArtReview, March 2009: 30.
  • Serisier, Gillian. “The Art of Space. The Space of Art.” Australian Design, 6 January 2009.
  • Blazier, Wendy M. “Enrique Martínez Celaya: An Un nished Conversation.”
    Fine Art Connoisseur, Vol. 6, Issue 6, December 2009: 50.
  • Eyman, Scott. “The Paintings of Enrique Martínez Celaya.” The Palm Beach
    Post, 15 November 2009: 1D, 11D.
  • Rigual, Luis R. “100 Individuals Pushing Florida Into the Future.” Florida International Magazine, April 2009: 81.
  • González, Gaspar. “Brush Fire.” Aspen Magazine, 2009/2010: 60.
  • Finkel, Jori. “Layers of Devotion (and the Scars to Prove It).” The New York Times, Sunday, 23 November 2008: AR 30.
  • Schmidt, Hans-Werner, editor. Nullsechs Nullsieben mdbk, Leipzig: Museum der bildenden Künste Leipzig, 2008: 126-127.
  • Gibson, Prue. “Raw Talent.” Vogue Australia, August 2008: 59. “Martínez Celaya and the Exile’s Nomadism (Martínez Celaya y el Nomadismo del Exiliado).” ArtPremium, Vol. 4, No. 21, 2008: 10.
  • Bennie, Angela. “Quantum Man Mines the Chasm Between Art and Science.”
    The Sydney Morning Herald, 5 March 2008.
  • Donohue, Marlena. “Enrique Martínez Celaya.” ArtScene, December 2008.
  • “Enrique Martínez Celaya: Daybreak.” The Magazine Los Angeles, November 2008.
  • Herrera, Adriana. “Martínez Celaya: Visiones Nómadas.” El Nuevo Herald, 6 January 2008.
  • “Installation Schneebett in Leipzig zu sehen.” Lausitzer Rundschau, 22 June 2007.
    Pupat, Hendrik. “Das Haus nach innen Erweitern.” Leipziger Volkszeitung, 21 June 2007: 10.
  • Finkel, Jori. “Enrique Martínez Celaya.” ArtNews, May 2007: 175. Damian, Carol. “Enrique Martínez Celaya: The Rhythms of Life.” ArtNexus,
    67, Vol. 6, 2007.
  • Suarez De Jesus, Carlos. “Nomad.” Miami New Times, 22 November 2007.
  • Steinhart, Frank, Executive Producer. “Enrique Martínez Celaya at Miami Art Museum.” Mega TV, Florida, 13 November 2007.
  • Wolgamott, L. Kent. “The Artist and Nebraska.” Lincoln Journal Star, 13 October 2007.
  • Platt, Susan. “Enrique Martínez Celaya, Seattle.” Art Papers, July/ August 2007: 69-70.
  • “Anderson Ranch Honors Artist, Patrons.” The Aspen Times, 21 April 2007.
  • Dunne, Aidan. “Space for a Sense of Place.” The Irish Times, 5 April 2007.
  • Cash, Stephanie. “Report from Colorado.” Art in America, February 2007.
  • Siedell, Daniel A. “Enrique Martínez Celaya: Coming Home Before and After Schneebett.” artUS, January/February 2007: 10-13.
  • McEvilley, Thomas. “Preface.” Martínez Celaya: Early Work. Delray Beach: Whale & Star Press, 2006, 19-23.
  • Caruso, Laura, editor. RADAR: Selections from the Collection of Vicki and Kent Logan. Denver: Denver Art Museum, 2006, 74-75.
  • Williams, Christian. “An Ever Wider World: Enrique Martínez Celaya.” West Magazine, 11 June: 34-37, 52.
  • Hanor, Stephanie, Hugh M. Davies, Francis Alÿs. TRANSactions: Contemporary Latin American and Latino Art, San Diego: Museum of Contemporary Art San Diego, 2006, 137.
  • Felstiner, John. “Your Song, What Does It Know?” Martínez Celaya: Early Work, Delray Beach: Whale & Star Press, 2006, 377-379.
  • Wendland, Johannes. Leipzig, Germany. Kunstzeitung, September 2006: 121.
  • Leipzig lädt ins Schneebett. Die Welt, 14 July 2006.
  • Julke, Ralf. “Mitgefühl für Beethoven: Bildermuseum zeigt Martínez Celaya’s Schneebett.” Leipzig-Internet Zeitung, 22 June 2006.
  • Dea, Cynthia. “A Spiritual ‘Peace’ of Mind.” Los Angeles Times, 15 June 2006.
  • Peters, Sue. “Review: Enrique Martínez Celaya.” Seattle Weekly, 12 April 2006.
  • Buckwater, Timothy. “Enrique Martínez Celaya at the Oakland Museum.” The Monthly, January 2006: 5.
  • Frank, Peter. “Review: Enrique Martínez Celaya.” LA Weekly, January 2006: 13-19.
  • Ollman, Leah. “Renaissance Man Looks to the Past.” Los Angeles Times, 9 December 2005.
  • González, Gaspar. “The Escape Artist.” Boca Raton Magazine, December 2005: 117-118, 256, 258.
  • Gavlak, Sarah. “Portrait of the Artist.” Ocean Drive, November 2005.
  • Mills, Michael. “Best Local Artist.” Palm Beach New Times, May 2005: 12-18.
  • Gilbert, James. “Enrique Martínez Celaya.” Flaunt, No. 54, 2004: 86-89.
  • Damian, Carol. “Enrique Martínez Celaya.” ArtNexus, Vol. 3, No. 53, 2004: 129-130.
  • Forck, Gerhard. “Schneebett: Eine Installation in der Philharmonie.” Berliner Philhamoniker Das Magazin, November/December 2004: 85.
  • Knott, Marie Luise. “Künstler dieser Ausgabe: E.M. Celaya.” Le Monde Diplomatique, November 2004.
  • Rakow, Mary. “Looking for a Context for Martínez Celaya’s Work.” works + conversations, No. 9, October 2004: 14-19.
  • Turner, Elisa. “The Prince of Darkness.” The Miami Herald, 7 March 2004: Section M 3, 5.
  • Schudel, Matt. “Layers of Meaning.” Sun-Sentinel, 7 March 2004: 14-15.
  • Mills, Michael. “Black is Back.” Broward-Palm Beach New Times, 25-31 March 2004: 34.
  • Oksenhorn, Stewart. “Winter’s Child.” Aspen Times Weekly, February 2004: 21-22.
  • Martin, Victoria. “Enrique Martínez Celaya at Gri in Contemporary.” ArtWeek, Vol. 34, No. 10, 20 December 2003-January 2004. (cover)
  • Siedell, Daniel A. “The October Cycle, 2000-2002.” The October Cycle, 2000-2002, Seattle: Marquand Books, 2003, 12-29.
  • McEvilley, Thomas. “Martínez Celaya: No Horizon Line.” All the eld is ours, Santa Monica: Gri in Contemporary, 2003, 5-10.
  • Wong-Sutch, Sabina. “The Art of Living.” The Peninsula, Vol. 1, No. 1, 2003: 34-40.
  • Genocchio, Benjamin. “An Ethereal World, Explored Breath by Breath.” The New York Times, 2003: 14WC.
  • Douglas, Sarah. “Enrique Martínez Celaya: All the Field is Ours.” The Art Newspaper, No. 140, 2003: 9.
  • Wolgamott, L. Kent. “Top 10 Art Shows of 2003.” Lincoln Journal Star, 28 December 2003.
  • Scott, Carolyn Patricia. “A Colorful New Martínez Celaya.” Los Angeles Times, 18 December 2003: E60.
  • Becker, Lisa Tamiris. “Enrique Martínez Celaya: Poetry in Process.” Colorado University Art Museum Bulletin, Fall 2003: 2, 5.
  • Ollman, Leah. “In a Silent Season.” Art in America, May 2003: 132-137.
  • Turner, Nancy Kay. “Enrique Martínez Celaya.” ArtScene, November 2002: 24, 25.
  • Ollman, Leah. “Primal Emotions Evoked in Black.” Los Angeles Times, 1 November 2002: E27.
  • Pagel, David. “Enrique Martínez Celaya.” Los Angeles Times, 19 April 2002.
  • Chattopadhyay, Collette. “Enrique Martínez Celaya, Orange County Museum
    of Art.” ArtNexus, Vol. 2, No. 44, 2002: 117–118.
  • Merewether, Charles. “Departure Without Return.” Enrique Martínez Celaya:
    1992-2000. (Cologne, Germany: Wienand), 2001: 31-47.
  • Solomon-Godeau, Abigail. “Restitutional Fragments.” Enrique Martínez Celaya: 1992-2000, Cologne: Wienand, 2001, 51-73.
  • Ollman, Leah. “Insight Within Arm’s Reach.” Los Angeles Times, 26 November 2001: F2.
  • Heyward, Carl. “Review,” Art Papers, May/June 2001: 53.
  • Rosenberg, Jeremy. “The Evolution of Enrique.” Los Angeles Times, 6 March 2001: F-22.
  • Breidenbach, Tom. “Enrique Martínez Celaya.” ArtForum, February 2001: 155.
  • Frank, Peter. “Art Picks of the Week.” LA Weekly, 16-22 February 2001: 150.
  • Tomkins, Calvin. “Enrique Martínez Celaya.” The New Yorker, 11 December 2000: 26.
  • LaBerge, Stephen. “Exploring the World of Lucid Dreaming.” Ions, Noetic Sciences Review, September-November 2000, No. 53: 15. (photo).
  • Thornburg, Barbara. “Latin Quarters.” Los Angeles Times Magazine, 24 September 2000: 32-35.
  • Chattopadhyay, Collette. “Enrique Martínez Celaya at Gri in Contemporary.” Artweek, July/August 2000: 20-21.
  • Knight, Christopher. “Catching the ‘Next Wave’ of Painters.” Los Angeles Times, 20 June 2000.
  • Hernández, David. “De Poesía, Pintura y Escultura.” Diario de Monterrey (México), 3 May 2000: 38.
  • Ollman, Leah. “Poetry in Pictures.” Los Angeles Times, 26 May 2000: F-21.
  • Wario, Bertha. “Encuentra en Pintura Respuesta a Preguntas.” El Norte
    (Monterrey, México), 26 April 2000.
  • Brodzky, Anne Trueblood. “Unbroken Poetry.” Unbroken Poetry: The Work of Enrique Martínez Celaya, Venice: Whale & Star Press, 1999, 9-41.
  • Browning, Walter. “Terminal Thoughts.” Hampstead and Highgate Express, 5 November 1999.
  • Brown, Neal. “Review.” The Independent (London) 24 October 1999.
  • Geer, Suvan. “Review.” ArtNexus, No. 32. May-July 1999: 131-132.
  • Ollman, Leah. “Enrique Martínez Celaya at Gri in Contemporary Exhibitions.” Art in America, May 1999: 166.
  • Frank, Peter. “Enrique Martínez Celaya.” Enrique Martínez Celaya: Berlin, The Fragility of Nearness, Venice: William Gri in Editions, 1998, 33-37.
  • Collins, Tricia. Tablet, “The Work of Three Poets.” Zing Magazine, Winter 1998: 134-138.
  • Ollman, Leah. Los Angeles Times, 25 December 1998: F-40.
  • Isé, Claudine. “Visual Poetry.” Los Angeles Times, 30 October 1998: 30.
  • Hein, Von Helmut. “Atemwende oder Die Welt im Kopf.” Mittelbayerische (Regensburg, Germany), 6 August 1998: 53.
  • Böckel, Claudia. “Er Will Bewegen: ‘No Entertaining!’” Mittelbayerische (Regensburg, Germany), 30 June 1998.
  • Perez Ruiz, Jose Antonio. ArtNexus, May 1998: 132-133. Frank, Peter. “Review” ArtNews, February 1998: 123.
  • Damian, Carol. ArtNexus, January-March 1998: 132-133.
  • Windhausen, Rodolfo. “Arte Latinoamericano.” La Prensa (Miami), 23
    November 1997.
  • Alvarez Bravo, Armando. “La Poesía, Modelo de la Plastica.” El Nuevo
    Herald, 2 November 1997: 5E.
  • Alvarez Lezama, Manuel. San Juan Star, 3 October 1997.
  • García Gutiérrez, Enrique. “El Artista en su Laberinto.” El Nuevo Día, Revista Domingo, (San Juan, Puerto Rico), 21 September 1997: 10-13.
  • Riley, Charles A. “The Power of Restraint.” Enrique Martínez Celaya, New York: Tricia Collins, Grand Salon, 1996, 5-13.
  • Schoenkopf, Rebecca. “A Marriage in Blood.” OC Weekly, 9 August 1996: 25.
  • Pohl, Frances. “Mammas, Don’t Let Your Babies Grow Up to Be Painters.”
  • Lions of Frosting, Santa Monica: Dorothy Goldeen Gallery, 1995, 5-11.
  • Von Froemming, Paul. “Gifts of Love.” The Independent, 1 December 1995: 58.
  • Jenkins, Steven. “An Open Heart.” Artweek, 17 November 1995.
  • Greene, David A. “Painting the Town.” Los Angeles Reader, Vol. 17, No. 51, 29 September 1995.
  • Darling, Michael. “An Unusually Rich Storehouse of Ideas.” Scene Magazine, 20 August 1993.
  • Alvarez Lezama, Manuel. “Exhibit Asks Viewers to Question Boundaries.” The San Juan Star, 7 April 1993: F11.
  • Burkhart, Dorothy. “An Artist Worth Being Excited About.” San Jose Mercury News, 18 March 1992: 7D.
  • Alegre Barrios, Mario. “Martínez Celaya Exhibe en Luigi Marronzzini.” El Nuevo Día, 2 September 1991.

Selected Public Lectures

  • Wende Museum, Art-Past-Present Lecture Series co-hosted by Farrah Karapetian and Joes Segal. 19 August 2020, Culver City, California.
  • Anderson Ranch Arts Center, Critical Dialog Series, “Questions for Contemporary Thinkers.” 3-6 August 2020, Snowmass Village, Colorado.
  • University of Southern California Dornsife College of Letters, Arts and Sciences, Dornsife Dialogues, “How Pandemics Impact Art.” 22 April 2020, Los Angeles, California.
  • Wende Museum, In Search of Our Times Lecture, “Roads and Shortcuts to Utopia.” 8 March 2020, Culver City, California.
  • The University of Texas System, “Enrique Martínez Celaya in conversation with Carter E. Foster.” Event sponsored by the O ice of the Chancellor. 21 January 2020, Austin, Texas.
  • Kohn Gallery, “Enrique Martínez Celaya in conversation with Philippe de Montebello.” 16 October 2019, Los Angeles, California.
  • Baldwin Gallery, “Nieve en el portal: El niño que se fue regresa un artista.” 9 July 2019, Aspen, Colorado.
  • Blain|Southern, “Enrique Martínez Celaya in conversation with Sir Charles Saumarez Smith.” 23 May 2019, London, United Kingdom.
  • Robischon Gallery, “Enrique Martínez Celaya in conversation with Lilly Wei.” 19 January 2019, Denver, Colorado.
  • Sotheby’s Institute of Art, Creative Industries Colloquium. “The Business of the Artist Studio.” 25 October 2018. Los Angeles, California.
  • Visions & Voices Lecture, University of Southern California. “The Other Life.” 17 October 2018, Los Angeles, California.
  • Island Press and the Sam Fox School of Design & Visual Arts, Washington University, Arthur L. and Sheila Prensky Visiting Artist Lecture. “The Other Life.” 17 September 2018. St. Louis, Missouri.
  • Anderson Ranch Arts Center, 3rd Chairman’s Choice Lecture, “The Other Life.” 3 July 2018, Aspen, Colorado.
  • Fisher Museum of Art, University of Southern California. “In Conversation: Enrique Martínez Celaya with Dan McCleary and Demián Flores.” 25 February 2018, Los Angeles, California.
  • University of Southern California, “Enrique Martínez Celaya in conversation with Graciela Iturbide.” 16 October 2017, Los Angeles, California.
  • Denver Art Museum, 10th Anniversary Logan Lecture. “Work and Ideas: 1990- 2017.” 27 September 2017, Denver, Colorado.
  • Anderson Ranch Arts Center, 2nd Chairman’s Choice Lecture. “The Artist: Conscience in the Age of Cynicism.” 5 July 2017, Aspen, Colorado.
  • Aspen Center for Physics, Heinz R. Pagel Physics Lecture Series. “Re ecting on Art and Physics.” July 2017, Aspen, Colorado.
  • Dartmouth College, Roth Distinguished Visiting Scholar lecture. “The Artist: Conscience in the Age of Cynicism.” 8 May 2017, Hanover, New Hampshire.
  • Dartmouth College, Roth Distinguished Visiting Scholar lecture, “Don’t Be Great Again: Art, Education, Disillusionment and Potentiality.” 17 April 2017, Hanover, New Hampshire.
  • Vermont Studio Center, Visiting Artist Lecture, “Work: 1990-2017.” 10 April 2017, Johnson, Vermont.
  • Kansas City Art Institute, Keynote Speech for the Foundations in Art: Theory and Education (FATE) 16th Biennial conference “Beyond the Core.” 6 April 2017, Kansas City, Kansas.
  • Dartmouth College, Roth Distinguished Visiting Scholar lecture, “State of the Artist.” 20 October 2016, Hanover, New Hampshire.
  • Dartmouth College, Roth Distinguished Visiting Scholar lecture, “The Studio is Not a Factory.” 22 September 2016, Hanover, New Hampshire.
  • Anderson Ranch Arts Center, Innagural Chairman’s Choice Lecture, “Work 1990-2016.” 30 June 2016, Aspen, Colorado.
  • New York Public Library, An Artist Dialogue Series Event, “Art and Mindfulness.” 5 April 2016, New York, New York.
  • Naropa University, sponsored by Jack Kerouac School of Disembodied Poetics, “Work 1990-2016.” 21 June 2016, Boulder, Colorado.
  • Santa Fe University of Art and Design, sponsored by SITE Santa Fe in conjunction with the exhibition, The Pearl, “The Pearl and the Total Work of Art.” 1 October 2013, Santa Fe, New Mexico.
  • University of Michigan, “The Tower of Snow: A Story of Process.” 29 March 2013, Ann Arbor, Michigan.
  • New York Studio School. Lecture presented in conjunction with the Featured Artist Lecture Series, 6 March 2011, New York, New York.
  • University of California Santa Barbara, “On Worth.” 19 April 2011, Santa Barbara, California.
  • Anderson Ranch Arts Center, Featured Artists Lecture Series, “On Worth.” 23 June 2011, Aspen, Colorado.
  • Phillip and Patricia Frost Art Museum. Lecture presented as part of Art Basel’s O icial Annual Event, “Breakfast in the Park”, 5 December 2010, Miami, Florida.
  • Museum of Biblical Art, Lecture presented in conjunction with the exhibition The Wanderer: Foreign Landscapes of Enrique Martínez Celaya, 4 November 2010, New York, New York.
  • School of the Art Institute of Chicago. Lecture cosponsored by the Department of Art History and the Department of Painting and Drawing, 29 October 2010, Chicago, Illinois.
  • Sheldon Museum of Art, “On Painting.” Lecture given in conjunction with Martínez Celaya’s appointment as Visiting Presidential Professor at the University of Nebraska, 21 April 2009, Lincoln, Nebraska.
  • Published in Collected Writings and Interviews, 1990-2010: Enrique Martínez Celaya. Lincoln and London: University of Nebraska Press, 2010, 240-247.
  • Joslyn Art Museum, “The Prophet.” Lecture given in conjunction with Martínez Celaya’s appointment as Visiting Presidential Professor at the University of Nebraska, 2 October 2009, Omaha, Nebraska.
  • Published in Collected Writings and Interviews, 1990-2010: Enrique Martínez Celaya. Lincoln and London: University of Nebraska Press, 2010, 231-239.
  • Published in Psychological Perspectives, A Quarterly Journal of Jungian Thought. Los Angeles: C.G. Jung Institute of Los Angeles, Volume 59, Issue 2, 2016.
  • University of Nebraska-Omaha, “Art & the University.” Lecture given in conjunction with Martínez Celaya’s appointment as Visiting Presidential Professor at the University of Nebraska, 7 April 2009, Omaha, Nebraska.
  • Kaneko, “Systems, Time and Daybreak.” Lecture given in conjunction with Martínez Celaya’s appointment as Visiting Presidential Professor at the University of Nebraska, 7 October 2008, Omaha, Nebraska.
  • Sheldon Museum of Art, “Art and Museums.” Lecture given in conjunction with Martínez Celaya’s appointment as Visiting Presidential Professor at the University of Nebraska, 15 April 2008, Lincoln, Nebraska.
  • Originally published as “The Parting of the Exemplary Museum,” works + conversations, 15 November, 2007: 34-35, 45; and as “Now What?” Journal of Aesthetic Education, Vol. 41 No. 2, Summer 2007: 17-21.
  • Miami Art Museum, “Photography as Grief.” 8 December 2006, Miami, Florida.
  • Sheldon Museum of Art, “Photography as Grief.” Lecture given in conjunction with Martínez Celaya’s appointment as Visiting Presidential Professor at the University of Nebraska, Lincoln, Nebraska.
  • Published as “Photography as Grief (Fragments)” artUS, 24/25 (Fall/Winter 2008): 68-71. Also published in Collected Writings and Interviews, 1990-2010: Enrique Martínez Celaya. Lincoln and London: University of Nebraska Press, 2010, 141-146.
  • UCLA Fowler Museum of Cultural History, “Art and Compassion.” Lecture presented in conjunction with the traveling exhibition The Missing Peace: Artists Consider the Dalai Lama, 2006. Published as “A Personal Note on Art and Compassion,” works + conversations, No. 14 (May 2007), 10 April 2007: 24-25.
  • Education Summit, Hope Center, “Idea Generation: Currency for the Knowledge Economy The Fuzzy Boundary: Science and Art.” 14 November 2005, Richmond, Virginia.
  • American Academy in Berlin, Berliner Philharmonie. Lecture co-sponsored by the Stiftung Berliner Philharmoniker, the Forum Zukunft Berlin, and the American Academy in Berlin, 19 October 2004, Berlin, Germany.
  • Aspen Institute, “Poetry and Process.” Lecture presented in conjunction with the exhibition Poetry in Process at the CU Art Museum, Boulder, Colorado, 2004, Aspen, Colorado.
  • New York University, “New Work.” 2002, New York, New York.
  • University of Hawaii at Manoa, Artist Lecture. Lecture given in conjunction with Martínez Celaya’s appointment Distinguished Visiting Artist, September 2001, Honolulu, Hawaii.
  • Orange County Museum of Art, 4 December 2001, Newport Beach, California. An earlier version was presented at the University of Hawaii at Manoa, Honolulu, Hawaii, 4 September 2001. Both lectures were given on the occasion of the traveling exhibition, Enrique Martínez Celaya: 1992-2000.