DIANGO HERNÁNDEZimages curriculum

Born in 1970 in Sancti Spiritus, Cuba

Living and working in Düsseldorf, Germany


  • 1994 Degree at Havana Superior Institute of Design, Havana, Cuba

Solo Exhibitions

  • CRAZY, Paolo Maria Daenesi Gallery, Trento, Italy
  • DESIDERI DI LUCE. RIFRAZIONI, Galleria e Museo San Fedele, Milan, Italy
  • Cantos de Sirenas, Wizard gallery, Milan
  • All hands, Galería Nicolas Krupp, Basilea
  • Los Milagros, Galería Casado Santapau, Madrid
  • Bañistas, Kestner Gesellschaft, Hannover, Germany
  • Olaísmo, FL GALLERY | WIZARD GALLERY, Milan, Italy
  • Iniciales y Nombres Completos, Galería Casado Santapau, Madrid
  • Instopia, Galerie Barbara Thumm, Berlin
  • Rebel Standing“, Galerie Barbara Thumm, Berlin, Germany
  • Cascadas, Galería Casado Santapau, Madrid
  • Salvavidas, Galería Arsenal, La Habana, Cuba
  • “Nuestra America”, Federico Luger Gallery, Milan
  • “Eras Imaginarias (studio Works 2015-2018)”, Galerie Barbara Thumm, Berlin, Germany
  • 2017-18 “Amor Amor”, VANHORN, Düsseldorf, Germany
  • “Sobre las olas (Über allen Wellen)”, curated by Meike Behm, Kunsthalle Lingen, Germany
  • “Her Holidays”, Nicolas Krupp, Basel, Switzerland
  • “Theoretical Beach.”, curated by Stefanie Kreuzer, Museum Schloss Morsbroich, Leverkusen, Germany
  • “Marina”, Galerie Barbara Thumm, Berlin, Germany
  • “Beach, a longing”, curated by Susanne Meyer-Büser, Kunstsammlung Nordrhein Westfalen, K21, Düsseldorf, Germany
  • “Hurricanes”, FL Gallery, Milan, Italy
  • 2015/16 “Time Islands and Space Islands”, MOSTYN, Llandudno, Wales UK
  • “Eugene”, Kunsthalle Münster, Germany
  • “Words to sea”, curated by Gianni Jetzer, ArtBasel Unlimited, with Marlborough Contemporary / Alexander and Bonin / Barbara Thumm / Nicolas Krupp, Basel, Switzerland
  • “The book of waves”, Marlborough Contemporary, London, UK
  • “Layout for Flavor Orbit and Orange Curtain”, curated by Jacopo Crivelli Visconti, SP-ARTEwith Galerie Barbara Thumm, São Paulo, Brazil
  • “By all means I am here”, curated by Katerina Gregos, Solo, Art Brussels with Marlborough Contemporary, Brussels, Belgium
  • “Circling in loop”, curated by Delfim Sardo, Est Art Fair with Marlborough Contemporary, Estoril, Portugal
  • “In hazard, translated”, curated by Simone Neuenschwander, Kunstverein Nürnberg, Germany
  • “Socialist nature”, curated by Gerhard Obermüller, Landesgalerie Linz, Austria
  • “First declaration”, curated by Alfredo Cramerotti, Mostyn, Wales, UK
  • “Komplette zimmer”, Capitain Petzel, Berlin, Germany
  • “The importance of a line”, curated by Nuno Faria, Porta33, Madeira, Portugal
  • “The new man and the new woman”, Marlborough Contemporary, London, UK
  • “The editionx”, dh artworks, Duesseldorf, Germany
  • The stamps that never travelled and the birds that never flew”, Benveniste Contemporary, ARCO, Madrid, Spain
  • “Folded tiger”, Philara, Sammlung zeitgenössischer Kunst, Duesseldorf, Germany
  • “Drawing the human figure”, curated by Nuno Faria, Fondazione Brodbeck, Catania, Italy
  • 2010/11 “A kiss, a hat, a stamp”, Blood Mountain Foundation, Budapest, Hungary
  • “Line Dreamers”, Haus im Süden c/o BOUCHERIE, Cologne, Germany
  • “Diango Hernández, Living rooms, a survey”, curated by Yilmaz Dziewior, MART, Rovereto, Italy
  • “The Stamps that never travelled and the birds that never flew”, Benveniste Contemporary, Madrid, Spain
  • “If I send you this” Alexander and Bonin, NY, USA
  • “Crystal clear”, Nicolas Krupp Galerie, Basel, Switzerland
  • “Diango Hernández Museums selected works 1996-2010”, Galerie Michael Wiesehöfer, Cologne, Germany
  • “Losing you Tonight”, 6. Rubensförderpreis der Stadt Siegen, Museum for Contemporary Art, Siegen, Germany
  • “The importance of a line” (curated by Nuno Faria), Porta33, Madeira, Portugal
  • “La Historia, Mi Juguete Preferido”, Pepe Cobo y Cia, Madrid, Spain
  • “Diango Hernàndez:TH-INK”, Alexander an Bonin, New York, USA
  • out-of-place artifacts (OOPArt)”, Galerie Barbara Thumm, Berlin & Galerie Michael Wiesehöfer, Cologne, Germany
  • “Inspire me again”, Stella Lohaus Gallery, Antwerpen, Belgium
  • “Diamonds and Stones: My Education”, Federico Luger Gallery, Milan, Italy
  • “Objects of Ridicule”, Alexander and Bonin, New York, USA
  • “Victoria”, National Museum, Warsaw, Poland
  • “Power Pencil”, Paolo Maria Deanesi Gallery, Rovereto, Italy
  • “Swans without a Lake”, Neuer Aachener Kunstverein, Aachen
  • “Revolution”, Kunsthalle Basel, Switzerland
  • “Dictators”, Frehrking Wiesehöfer, Cologne, Germany
  • “Spies”, Alexander & Bonin, New York, USA
  • “Traitors”, Galeria Pepe Cobo, Madrid
  • “The Museum of Capitalism”, Altes Museum, Mönchengladbach, Germany
  • “Revantgarde”, Paolo Maria Deanesi Gallery, Rovereto, Italy
  • “Democracy”, Kunstverein Arnsberg (with Boris Michailov), Germany
  • “Amateur”, De Vleeshal, Middelburg, Netherlands
  • “Amateur”, Frehrking Wiesehöfer, Cologne, Germany
  • as member of “Ordo Amoris Cabinet”
  • “Sweet Home”, Espacio Aglutinador, Havana, Cuba
  • “Mousepads and Screensavers”, ArtPace Foundation for Contemporary Art, San Antonio, Texas, USA
  • “Network Transmission /mSummer Days”, Adamski Frehrking Wiesehöfer, Cologne, Germany
  • “Esta cerca es provisional: evite ser requerido/This is a provisional Fence: Keep Out”, Center for the Development of the Visual Arts, Havana, Cuba
  • “Hiking Raffle”, Banff Centre for the Arts, Alberta, Canada
  • “Hormigon armado/Reinforced Concrete”, Center for the Development of the Visual Arts, Havana, Cuba
  • “Agua con azucar y La muestra provisional / Sugar Water and The Provisional Show”, Center for the Development of the Visual Arts, Havana, Cuba Museo de Arte Contemporaneo y Diseffo (MACD), San José, Costa Rica

Group Exhibitions

  • “Why we can’t live together” Collection Peters-Messer, Kunst museum, Marburg, Germany
  • That Other World, Kestner Gesellschaft, Hannover
  • A volte penso che…, Prometeo Gallery, Lucca, Italy
  • Great small works, Stephane Simoens, Knokke-Zoute, Belgium
  • Summer breeze, Galerie Barbara Thumm, Berlin, Germany
  • Concrete Contemporary, Museum Haus Konstruktiv , Zurich
  • Imágenes De Cinco Siglos – (curated by Niurka Fanego and Manuel Crespo) Museo Nacional de Bellas Artes, Havana, Cuba.
  • “Wall Works”, Galerie Barbara Thumm, Berlin, Germany (upcoming)
  • “Lilia & Tulipan”, Kunsthalle Lingen, Germany
  • “In Addition an exhibition of artist editions”, curated by Adam Carr MOSTYN, Wales, UK
  • 2017/18 “Kunst X Kuba – Zeitgenössische Positionen seit 1989”, Ludwig Forum Aachen, Germany
  • “TWO DESTINATIONS” curated by Oriane Durand, Dortmunder Kunstverein, Germany“EXIT”, curated by Adam Carr, Rodolphe Janssen Gallery, Brussels, Belgium
  • “On the Horizon: Selections from the Jorge M. Pérez Cuban Art Collection”, curated by Tobias Ostrander, Pérez Art Museum Miami (PAMM), USA
  • “PRODUCTION. made in germany three”, Kestnergesellschaft, Hannover, Germany
  • “Luther und die Avantgarde”, Altes Gefängnis, Wittenberg, Germany
  • “Your Story! Geschichten von Flucht und Migration”, Kunsthalle Emden, Germany
  • “Who Pays?”, Kunstmuseum Liechtenstein, Liechtenstein
    “Skulptur im Foto”, Skulpturenmuseum Glaskasten Marl, Germany
  • “Made in Germany III”, (curated by Christina Végh) Kestnergesellschaft, Hanover, Germany
  • 2016/17 “Gruppenbild”, Galerie Barbara Thumm, Berlin, Germany
  • “Tropical Punch”, curated by keen on magazine, Galerie Nathalie Halgand, Vienna, Austria
  • “We Call It Ludwig”, 40th anniversary of the Museum Ludwig, artistic director Yilmaz Dziewior, Museum Ludwig, Cologne, Germany
  • “Only In The Western World” curated by Luigi Fassi, Mario Mauroner Contemporary Art (MAM), Vienna, Austria
  • Relevant Notes”, Cara Gallery, New York, USA
  • “I call it Lüttgen”, Galerie Markus Lüttgen, Cologne, Germany
  • “Kaleidoscope And Puzzles in the MUSACLatin American Collection” curated by Wendy Navarro, Centro Atlántico de Arte Moderno – CAAM, Las Palmas, Spain
  • “Transhumance” curated by Sara Alonso Gómez, CABBrussels, Belgium
  • “This Is Your Replacement” curated by Adam Carr, Sies + Höke, Duesseldorf, Germany
  • “War II – History Series“, curated by Adam Carr, MOSTYN, Llandudno, Wales UK
  • “Rate of Exchange” – German artists from the State of NRWin Croatia, curated by Nataša Ivančević and Nikola Ukić in cooperation with Kunsthalle Düsseldorf (Germany), Muzej Suvremente Umjetnosti Zagreb, Croatia
  • “Trio Biennal”, 1st Rio de Janeiro Biennial 2015, curated by Marcus de Lontra Costa, Rio de Janeiro, Brazil
  • “The art of the Turks. Modernisation as Fiction”, curated by Manuel Graf and Hans-Jürgen Hafner, Kunstverein für die Rheinlande und Westfalen, Düsseldorf, Germany
  • “El péndulo de Foucault”, curated by Alejandro Machado, 12 Bienal de la Habana, Havana, Cuba
  • “The Rates of Exchange”, Museum of Contemporary Art Zagreb, Croatia
  • “Piano pieces”, curated by Martin Hochleitner, Salzburg Museum, Salzburg, Austria
  • “I never thought I’d see you again. Painting History”, Marlborough Contemporary, London, UK
  • “Birds, plants and a chair”, Kadel Willborn, Duesseldorf, Germany
  • 2014-15 “Entorno crítico”, CABde Burgos, Spain
  • “Beyond the supersquare”, curated by Holly Block, Bronx Museum, NY, USA
  • “Summerstage”, Galerie Barbara Thumm, Berlin, Germany
  • “BRINGING LIGHTINTO A WINDOWLESS ROOM”, Capitain Petzel, Berlin, Germany
  • “Power of chi”, SPREEZV., Munich, Germany
  • “New Paintings”, Alexander and Bonin Gallery, New York, USA
  • “The marvelous real”, curated by Kristine Guzmán, Yuko Hasegawa and Hikari Odaka, Museum of Contemporary Art, Tokyo, Japan
  • International Biennial of Contemporary Art of Cartagena de Indias, curated by Berta Sichel, Cartagena, Colombia
  • 2013-14 “Salon distingué – Household effects in good company”, curated by Nadia Schneider Willen, Museum Langmatt, Baden, Switzerland
  • “HERstories”, curated by Christina Végh and Fanny Gonella, Bonner Kunstverein, Bonn, Germany
  • “Six memos for the next …”, curated by Wolfgang Fetz, Jörg van den Berg, Sandra Boeschenstein, Barbara Köhler, Schirin Kretschmann and Tilo Schulz, Magazin4 Bregenzer Kunstverein, Bregenz, Austria
  • “Misunderstandings and other circumstances”, curated by Anna Heidenhain and Kristina Kramer,Polistar, Istanbul, Turkey
  • “The marvelous real”, curated by Kristine Guzmán, Yuko Hasegawa and Hikari Odaka, MUSAC, Leon, Spain
  • “Lessons of darkness”, curated by Nuno Faria, José De Guimarães International Centre For The Arts, Guimarães, Portugal
  • “lonelyfingers. Konversationsstücke”, curated by Susanne Titz, Museum Abteiberg, Moenchengladbach, Germany
  • “The Feverish Library”, Capitain Petzel, Berlin, Germany
  • “Arqueológica”, curated by Virginia Torrente, Matadero, Madrid, Spain
  • “Triennale der Kleinplastik in Fellbach”, curated by Yilmaz Dziewior, Fellbach, Germany
  • “Politics: I do not like it, but it likes me”, curated by Agnieszka Kulazinska and Dermis P. León, LAZNIACentre for Contemporary Art, Poland
  • Newtopia: The State of Human Rights”, curated by Katerina Gregos, Mechelen, Belgium
  • “Chaotic trajectories”, curated by Thomas Rehbein, Temporary Gallery, Cologne, Germany
  • “The castle in the air. Séance of Imagination”, curated by Adam Budak, Poznan, Poland
  • “Sammlung im Prozess”, curated by Georg Elben, Skulpturenmuseum Glaskasten Marl, Marl, Germany
  • “Hans hat Glück”, Castle Gandegg, Appiano, Italy
  • “The silver show”, NAK, Aachen, Germany
  • “Entropia, Philara – Sammlung zeitgenössischer Kunst“, Duesseldorf, Germany
  • “DC Bonus”, Galerie Schmidt Maczollek / Galerie Michael Wiesehöfer / Galerie Thomas Zander, Forum für Fotografie, Cologne, Germany
  • “New Space”, Federico Luger, Milan, Italy
  • “Colors for a new home, Signs of love and other paintings”, Alexander and Bonin, NY, USA
  • “Fronteras en mutación, en tránsito of Bridges and Borders”, (fase III) CCEBA, Centro Cultural de España en Buenos Aires, Argentina
  • “Local host, (International artists in – from NRW)”, Ausstellungshalle Zeitgenössische Kunst, Muenster, Germany
  • “Tracks”, Kunstmuseum Liechtenstein, Liechtenstein
  • “Drawings wall”, Paolo Maria Deanesi Gallery, Rovereto, Italy
  • “Neues Rheinland. Die postironische Generation”, Museum Morsbroich, Leverkusen, Germany
  • “Drawings”, Alexander and Bonin NY, USA
  • “Face to Face”, Pepe Cobo y Cia, Madrid, Spain
  • “Touched”, The 10th Liverpool Biennial, curated by Peter Gorschlüter, Tate Liverpool, UK
  • “The New Décor”, curated by Ralph Rudolf, Hayward Gallery, London, UK
    Garage CCC, Moscow, Russia
  • “Star City”, curated by Alex Farquharson, Nottingham Contemporary, Nottingham, UK
  • “Who wants to use my window?”, Paolo Maria Deanesi Gallery, Rovereto, Italy
  • “Goldene Zeiten”, curated by Patrizia Dander and Julienne Lorz, Haus der Kunst, Munich, Germany
  • “Modelos para Armar: Thinking Latin America from the MUSACCollection”, Spain
  • “A Philosophical Enquiry into the Origin of our Ideas of the Fear and Terror”, curated by Helmut Friedel and Giovanni Iovane, Galleria Gentili, Prato, Italy
  • “Languages and Experimentations”, MARTRovereto, Italy 11th. Triennale der Kleinplastik Fellbach bei Stuttgart
  • “Ordinary Revolutions”, Museum Morsbroich, Leverkusen, Germany
  • “Das Gespinst”, Museum Abteiberg, Moemchengladbach, Germany
  • “Danielle Kawaaitaal and Diango Hernandez”, Monkeys Island, Cologne, Germany
  • “Precarious Form”, Galerie Meyer Kainer, curated by Veit Loers, Viena, Austria
  • “ev + a 2009, Reading the City”, Limerick City, Ireland
  • “Cambio de Aceite”, Pepe Cobo and Cia, Madrid, Spain
  • On Air”, curated by Huh joung-en, Künstlerverein Malkasten, Duesseldorf
  • “BAGHDAD/SPACECOG/ANALYST”, curated by Andrew Renton, Frith Street Gallery, London, UK
  • “Wessen Geschichte”, Kunstverein in Hamburg, Germany
  • “Como vivir juntos”, Museo de Arte Contemporáneo, Santiago de Chile
  • “Andrzej Wroblewski 1927-1957/Project”, The National Museum in Warsaw, Poland
  • Connected”, Altes Museum Moenchengladbach, Germany
  • “Mr. President”, University Art Museum, Albany, NY, USA
  • “Made in Germany”, Kunstverein Hannover, Germany
  • “The Unhomely: Phantom Scenes in Global Society”, 2. Bienal Internacional de Arte Contemporáneo de Sevilla, Seville Biennal
  • “Como viver junto”, 27. Sao Paulo Biennial, Brazil
  • “Zones of Contact”, Biennial of Sydney, Austrailia
  • “Biennale Cuvée”, O.K. Centrum für Gegenwartskunst, Linz
  • “Always a little Further”, Arsenale, 51. Venice Biennial, Venice, Italy
  • “Lichtkunst aus Kunstlicht”, ZKM/Museum für Neue Kunst, Karlsruhe
    “Roboter”, Opelvillen, Ruesselsheim, Germany
  • “Biwak”, Frehrking Wiesehöfer, Cologne, Germany
  • “Opening”, Paolo Maria Deanesi Gallery, Rovereto, Italy
  • “Nuovo Segnale”, Federico Luger Gallery, Milano, Italy
  • “Flesh at War with Enigma”, Kunsthalle Basel, Switzerland
  • “doku/fiction. Mouse on Mars – reviewed & remixed”, Kunsthalle Duesseldorf, Germany
  • “Jahresgaben 2004”, Kunstverein Arnsberg, Arnsberg, Germany
  • “Jahresgaben 2004”,Westfälischer Kunstverein, Muenster, Germany
  • “In Ictu Oculi”, Pepe Cobo Gallery, Sevilla, Spain
  • “Wildlife 04 final”, Sommerpalast, Neuss, Germany
  • “Bookies”, M29 Brückner + Richter, Cologne, Germany
  • “Mideo/Fear”, Pepe Cobo Gallery, Sevilla, Spain
  • “With Eyes of Stone and Water”, Gallery 3,14, Bergen, Norway*
  • Havana Biennial, Cuba
  • “Stretch”, Power Plant Gallery, Toronto, Canada
  • “Prophets of Boom. The Schürmann Collection”, Kunsthalle Baden-Baden, Germany
  • “With Eyes of Stone and Water”, Helsinki Art Museum, Finland
  • “Atravesados. Deslizamientos de identidades y géneros”, Fundación Telefónica. Madrid, Spain
  • “FITAC. VIIIforo sobre teoría del Arte Contemporáneo”, Monterrey, México
  • “La Huella Múltiple”, Centro de Desarrollo de las Artes Visuales, Havana, Cuba
  • Short Stories”, La Fabbrica del Vapore, Milano, Italy
  • “Un dia como otro cualquiera/A day like any other day”, 7. Havana Biennial, Cuba
  • “I am Cuba Double play”, Tirana Biennial, Albania
  • “La conjuncion de la nada/The conjunction of nothingness”, Center for the Development of the Visual Arts, Havana, Cuba
  • “CUBA”, Presentl. Barbican Centre, London, UK
  • “Thinking Aloud”, Camden Art Centre, London, UK
  • Antennas: Network Transmission/Taxi-Limosina. Provisional Utopias”, Ludwig
  • Forum für Internationale Kunst, Aachen/Kunsthaus Berlin, Germany
  • “Il Salon de arte cubano contemporanso”, Center for the Development of the Visual Arts/Centro de Arte Contemporáneo Wifredo Lam/CENCREM/Fototeca de Cuba. Havana, Cuba
  • “Thinking Aloud”, Hayward Gallery, London; Kettle‘s Yard, Cambridge; Cornerhouse, Manchester, UK
  • “Entropy at Home”, Schürmann Collection, Suermondt-Ludwig Museum, Aachen, Germany
  • “The Campaign Against Living Miserably”, Royal College of Art, London, UK
  • “The Russian mountain”, 3. Manifestation Internationale Vidéo et Art Électronique, Montreal, Canada
  • “Rompiendo los moldes”, 6th Havana Biennial, Cuba
  • “Ultimas Noticias”, Galería de Matanzas, Cuba
  • “Una de cada clase – Next Generation Show” Centro de Arte y Diseño, Havana, Cuba


  • Museum Abteiberg Moenchengladbach, Germany
  • Kunstmuseum Liechtenstein, Vaduz, Liechtenstein
  • Städtisches Museum Abteiberg, Moenchengladbach, Germany
  • INHOTIMCentro de Arte Contemporânea, Belo Horizonte, Brasil
  • Galleria d’Arte Moderna Palazzo Forti, Verona, Italy
  • MART– Museo di Arte Moderna e Contemporanea di Trento e Rovereto, Rovereto, Italy
  • Museum für Gegenwartskunst, Siegen, Germany
  • Rheingold Collection, Duesseldorf, Germany
  • The Museum of Modern Art, New York, USA
  • The Collection of Contemporary Art of the Federal Republic of Germany
  • FRACdes Pays de la Loire, Carquefou, France
  • Museo de Arte Contemporáneo de Castilla y Leon, (MUSAC), Spain
  • Collectión Bergé, Madrid, Spain


  • “Lonelyfingers”, together with Anne Pöhlmann
  • “Sunstate”, together with Mouse on Mars
  • “Ordo Amoris Cabinet”, together with Juan Bernal (until 1995)/Manuel
    Piña (until 1995)/Ernesto Oroza (until 1996)/Francis Acea (until 2003)

Publications / Catalogues

  • “Art x Cuba. Contemporary Prespectives since 1989”, ed. by Andreas Beitin, exhb. cat., Ludwig Forum für internationale Kunst Aachen, Aachen, Germany.
  • “On the Horizon Contemporary Cuban Art from the Jorge M. Pérez Collection” exh. cat., Pérez Art Museum Miami, Miami, USA.
  • “Diango Hernández. Theoretical Beach, edited by Stefanie Kreuzer, exh. cat. Museum Morsbrich, Leverkusen, 2016.
  • “Rates of Exchange ”, curated by Natasa Ivancevic and Nikola Ukic, Museum of Contemporary Art, Zagreb, Croatia
  • “Lonelyfingers”, Published by Georg Elben, Skulpturenmuseum Glaskasten Marl, Texts by Georg Elben and Diango Hernández, DISTANZVerlag, Berlin
  • “Home”, Published by Alexander and Bonin Publishing, Text by Patrizia Dander and Diango Hernández
  • “Living Rooms, a Survey”, Edited by MaRT, Museo di Arte Moderna e Contemporanea di Trento e Roverto, Texts by Yilmaz Dziewior, Luigi Fassi, Vanessa Joan Müller
  • “Golden Times”, (exh.cat). Haus der Kunst, München.“The New Décor”, (exh.cat.) Hayward Publishing Southbank Centre, London
  • “Losing You Tonight”, Edited by Eva Schmidt, Museum für Gegenwartskunst Siegen, Texts by Diango Hernández, Yilmaz Dziewior, Nuno Faria, Juan Antonio Molina, Giovanni Iovane, Adam Szymczyk, Published by Sternberg Press, 2009
  • Diamonds and Stones: My Education”, Edited by Lisette Lagnoado and Django Hernández, Published by Damiani, 2008
  • “out-of-place artifacts (OOPArt)”, Text by Ernesto (Che) Guevara Guerrila Warfare written in 1961, Published by Galerie Michael Wiesehöfer and Galerie Barbara Thumm
  • Swans Without a Lake”, (exh.cat.), Neuer Aachener Kunstverein
  • “Power Pencil”, Published and Produced by Paolo Maria Deanesi, 2007
  • “Swans without a lake”, Edited by Melanie Bono, Published by NAK– Neuer Aachener Kunstverein, 2007
  • “Zones of Contact”, (exh.cat.), Sydney Biennial
  • The Museum of Capitalism”, Published by Städtisches Museum Abteiberg, Mönchengladbach, 2005
  • “Always a Little Further”, (exh.cat.), 51. International Art Exhibition, La Biennale di Venezia, Venedig
  • “revantgarde”, Paolo Maria Deanesi Gallery, New York (Monograph)
  • “doku/fiction: Mouse on Mars: Reviewed & Remixed”, (exh.cat.), Kunsthalle Düsseldorf, Berlin, Germany
  • H. as member of “Ordo Amoris Cabinet”
  • “Cuba – with Eyes of Stone and Water”, exh.cat., Helsinki City Art Museum, Helsinki, Sweden
  • Winzen, Matthias (e.d.),”Prophets of Boom: Collection Schürmann”, exh.cat., Staatliche Kunsthalle Baden-Baden, Cologne, Germany
  • “Short Stories”, exh.cat., La Fabrica del Vapore, Milano, Italy
  • “Dreaming Red – Creating ArtPace”, exh.cat., ArtPace, San Antonio, Texas, USA
  • Block, Holly, “Art Cuba: The Next Generation”, exh.cat., New York, USA
  • “Atravesados. Deslizamientos de identidad y género”, Havanna, Cuba
  • Eligio, Antonio (Tonel), “Esta cerca es provisional / Evite ser Requerido”, (This is a Provisional Fence / Keep Out), exh.cat., Edition: Ordo Amoris Cabinet, Havana, Cuba
  • Hernandez, Orlando, “Trabajando Pa‘l Inglé”, exh.cat., Barbican Centre, London, UK
  • “Provisorische Utopien”, exh.cat., Ludwig Forum für Internationale Kunst, Aachen, Germany
  • Yedgar, Ariella, “The Campaign against living Miserably”, Royal College of Art, London, UK
  • Hernandez, Helmo, “Hormigón Armado” (Reinforced Concrete), Edition: Ordo Amoris Cabinet
  • “Utopian Territories: New Art from Cuba”, Vancouver, Canada
  • Forbes, Alexander: “Art Brussels Powers Ahead as European Sales Platform for Young Artists”, artnet.com, 04/28/2014
  • Forbes, Alexander: “Who’s Bringing What? Galleries Reveal Offerings for Art Cologne “, artnet.com, 04/07/2014
  • Lorch, Catrin: “Diango Hernández”, frieze, issue 129, March 2010, p.134 2009
  • Imdahl, Georg: “Flirt mit Aliens”, artnet.com 11/13/2009
  • Eva-Christina Meier: “Unsere Unterentwicklung ist nicht mental”, Taz, 09/10/2009, p.15
  • John Quin: “Diango Hernandez”, MAP, Issue 16, winter 2008/09
  • Zinser, Daniela: “Alle Macht dem Betrachter”, Berliner Zeitung, No.224, 09/23/2008, p.23
  • Seyfarth, Ludwig: “Mit Steinen auf Konventionen”, artnet magazine 09/11/2008
  • Hinrichsen, Jens: “Ab dem 30. August: In Köln und Berlin wirft Diango Hernández Licht aufs Licht”, monopol, No.9, 2008, S.130
  • Simone Neuenschwander, Diango Hernández: “Conversation”, Kunsthalle Basel 04, Jan. 2006, Basel, Switzerland
  • Revuelta, Laura: “Diango Hernández”, ARCO05, Madrid
  • Tomasini, Marco: “Hernández in Biennale”, l‘Adige, Trento, Italy
  • Anke Kempkes: “Palabras”, Always a Little Further. 51st International Art Exhibition, Venice, Italy
  • León, Dermis Pérez: “Diango Hernández: Amateur”, Art Nexus No.52, Volume 3/2004, USA
  • Eligio, Antonio (Tonel): “Culture and Society in the Work of Cuban Artists.”, in “Art Cuba: The New Generation”, New York
  • Quinones, Paul: “Short Stories: La Fabrica del Vapore, Milano”, Flash Art 2001, Italy
  • Fernandez, Frencis: “Rusty Scope’ from Cornell to Resnor”, Arte Cubano 3
  • Rodriguez, Hilda: “Espacios para una comunicaciòn deseada”, Arte Cubano 3
  • Grant, Simon: “Imagination at full stretch”, Evening Standard, London, 03/12/1999
  • Fuentes, Elvis: “Tan lejos tan ‘cerca”, La Gaceta de Cuba, No. 8
  • Eligio, Antonio: “Esta cerca es provisional / Evite ser Requerido”, Revista La Gaceta de Cuba
  • Eligio, Antonio (Tonel): “Por la Habana en Limosina”, La Gaceta de Cuba, No.6, S.22
  • Hunt, Ian: “Thinking Aloud”, Art Monthly, Feb. 1999
  • Greess, Gabriela: “Überlebenskunst”, Süddeutsche Zeitung, July, Germany
  • Becker, Wolfgang: “Provisorische Utopien”, Ludwig Forum Aachen, Germany
  • Moya, Nelson: “Agua con Azucar y Muestra Provisional 1 en el MADC”, Fanal 14, Spain
  • Molina, Juan Antonio: “Ordo Amoris. Hacia un diseño pragmatico”, La Gaceta de Cuba, No.4
  • Alberdi, Virginia: “The Next Generation”, Arte Cubano 2

Awards / Grants

  • 2016 lonelyfingers at Lodgers, M HKAAntwerp, Belgium
  • 2014 Artist in residence, Salzamt, Linz, Austria
  • 2013 Best special exhibition of the year 2013. AICA, Germany (International Association of Art Critics) lonelyfingers-Konversationsstücke at Museum Abteiberg, Germany
  • 2013 Premio Rotary Club, MIART, Milan, Italy
  • 2012 Artist in residence, Fondazione Brodbeck, Catania, Italy
  • 2010 Blood Mountain Foundation Residency, Budapest, Hungary
  • 2009 Rubens-Young Art Award, Museum for Contemporary Art, Siegen, Germany
  • 2008 Rubens-Förderpreis der Stadt Siegen, Germany
  • 2007 Premio ICONA, Verona, Italy
  • 2007 Artist in Residence, FRACde la Loire, France
  • 2005 Artist in Residence, Mönchengladbach, Germany
  • 2001 ArtPace, Artist in Residence, San Antonio, Texas, USA
  • 1998 Artist in Residence, Ludwig Forum für Internationale Kunst, Aachen, Germany
  • 1997 Artist in Residence, “Apocalypso”, Banff Centre for the Arts, Alberta, Canada