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When I am in love I see orange / Loco naranja Sep 14 - Nov 04 | 2023

Born in 1974 in Zurich, Switzerland

Solo Exhibitions (Selection)

2023
  • When I am in love I see orange / Loco naranja, Casado Santapau Gallery, Spain
  • Jahrmarkt der Gefühle, Kunst(Zeug)Haus, Rapperswil-Jona, Switzerland
2021
  • David Renggli & Thomas Wachholz, Wentrup, Berlin, Germany
  • David Renggli & Thomas Wachholz, Nino Mier Gallery, Los Angeles, USA
  • One Night in Hollywood, Tobias Müller Modern Art, Zurich, Switzerland
2020
  • SUV Paintings, Wentrup, Berlin, Germany
  • Bongos at the Lido, Villa Merkel, Esslingen, Germany
2019
  • Florian Meisenberg & David Renggli, Wentrup, Berlin, Germany
2018
  • Mid-Century Consensus, Chez Valentin, Paris, France
2017
  • Mulholland Melody, Wentrup, Berlin, Germany
2016
  • Sunshine on Fruits, Galerie Peter Kilchmann, Zurich, Switzerland
  • Real Estate Astrology, Chez Valentin, Paris, France
2014
  • Flamingo Blue Jeans Penis, Galerie Peter Kilchmann, Zurich, Switzerland
2013
  • Two Melons and 1 Banana, Wentrup, Berlin, Germany
  • Scaramouche, Kunsthalle St. Gallen, St. Gallen, Switzerland
  • Mia Marfurt & David Renggli, Kunstverein Galerie Münsterland, Emsdetten, Germany
2012
  • Drums, Please!, Wentrup, Berlin, Germany
  • David Renggli – The Charme of Ignorance, Museum im Bellpark, Kriens, Switzerland
  • Galerie Chez Valentin, Paris, France
2010
  • SPAGAHETTI, Chez Valentin, Paris, France
  • Groundhog Day (with Cristian Andersen), Associazione Barriera, Torino, Italy
2009
  • Dichte Fichten Dichten Dich, Wentrup, Berlin, Germany
  • Im Dunkeln sieht man die Licht, Fri-Art, Kunsthalle Freiburg, Switzerland
  • Hocus Pocus out of Focus (with Cristian Andersen), Museum Kunstraum Baden, Germany
2008
  • Ivresse au Cognac, Chez Valentin, Paris, France
2007
  • You’re Only Once, Twice My Age, ausstellungsraum25, Zurich, Switzerland
  • Arm Holds Hand, Alexandre Pollazzon Ltd, London, UK
  • Lieber eine umgebaute Haus als eine umgebaute Mann (with Steffen Koohn), Binz 39,
    Zurich, Switzerland
  • You, Can you Recommend Your Spychiatrist?, Via Farini, Milano, Italy
2006
  • Leihgabe ans Nichts, Kunsthalle Winterthur, Winterthur, Switzerland
  • Van Zoetendaal Collections, Amsterdam, Netherlands
  • The Night it Suddenly Became Bright Again, Flaca, London, UK
  • Sometimes Sunday Is on Tuesday, Chez Valentin, Paris, France
2005
  • Homage an die Interpretation der Zeit, La Rada, Locarno, Italy
2004
  • The Irony of Schicksal, Ausstellungsraum25, Zurich, Switzerland
2003
  • Technologie & Eifersucht, Volkartstiftung, Coalmine, Winterthur, Switzerland
2002
  • Retrospektive David Renggli, Messagesalon, Zurich, Switzerland

Group Exhibitions (Selection)

2023
  • Inspire Writing, Montblanc Haus, Hamburg
2022
  • Round and Round, Fair and Square, Tobias Müller Modern Art, Zurich, Switzerland
  • Third Hanging, Wentrup am Feenteich, Hamburg, Germany
2021
  • Second Hanging, Wentrup am Feenteich, Hamburg, Germany
  • Inaugural exhibition, Wentrup am Feenteich, Hamburg, Germany
  • Spirit of the KINDERGARTEN, Kasteel Wijlre, Wijlre, Netherland
  • ABSTRAKT, Wentrup, Berlin, Germany
2020
  • Zoom in Zoom out, Wentrup, Berlin, Germany
  • Sculpture & Nature, Schlossgut Schwante, Oberkrämer, Germany
2019
  • Les Enfants de Saturne, Le Musée d’art contemporain de la Haute-Vienne – Château de Rochechouart, FRCopines – Copains – Berlin, Wentrup, Berlin, Germany
  • Concrete Contemporary, Museum Haus Konstruktiv, Zurich, Switzerland
  • Wege zur Welt – Sammlung Hildebrand, G2 Kunsthalle, Leipzig, Germany
2018
  • Das Wort, Strauhof, Zurich, Switzerland
  • (theoretisch) endlos (curated by Peles Empire), KARST, Plymouth, UK
  • Cross the Breeze, Valentin, Paris, France
  • Papier.Salon., Wentrup, Berlin, Germany
2017
  • Un Coup de Coeur (curated by Danielle van Ark and Thomas Raat), Maison van
    Doesburg, Meudon, France
  • Ein Augenschein von 1944-2017, Museum Haus Konstruktiv, Zurich, Switzerland
  • Europe in China (curated by Christophe Menager), Qingdao Sculpture Gallery,
    Qingdao, China
  • Every Cult its Castle, Sammlung Philara in der Spinnerei Leipzig, Germany
  • Von Pablo Picasso bis Robert Rauschenberg. Schenkung Céline, Heiner und Aeneas Bastian. Hommage à Ingrid Mössinger, Kunstsammlungen Chemnitz, Germany
  • L’Été plus vaste que l’Empire…, Wentrup und WNTRP, Berlin, Germany
  • Valentin @MonCherie, MonCherie, Brussels, Belgium
2016
  • Show Divers, Valentin, Paris, France
  • Le Parcours Saint-Germain 2016. Sans Limites: De object a l’oeuvre, Parcours SaintGermain, Paris, France
2015
  • Fracas, Off (curated by Chantal Berdugo), Art Genève, Geneva, Switzerland
  • Why we expect more from technology and less from each other, Wentrup, Berlin, DE
  • Ordne und finde mit, Philara, Sammlung zeitgenössischer Kunst, Düsseldorf, Germany
  • Art Parcours, Art Basel, Basel, Switzerland
  • Lokaltermin Schwamendingen, Galerie Tene, Schwamendingen, Switzerland
2014
  • Gasträume. Art in public places in Zurich, Zurich, Switzerland
  • Die Sammlung Gegenwart, Kunstmuseum Bern, Berne, Switzerland
  • Gottesbeschwörung und Teufelsküche, Haus für Kunst, Altdorf, Switzerland
  • Gastspiel, Museum Rietberg, Zurich, Switzerland
  • A Place Like This, Klöntal Triennale, Kunsthaus Glarus, Glarus, Switzerland
  • Collection on Display, Migros Museum für Gegenwartskunst, Zurich, Switzerland
2013
  • De leur temps, Hangar à Babanes, Nantes, France
  • Oh my gosh! It’s amazing, Valentin, Paris, France
  • One day will come when the day will not come, Futura, Prague, Czech Republic
  • Mia Marfurt & David Renggli, Galerie Münsterland, Emsdetten, Germany
  • Migros Museum für Gegenwartskunst, Zurich, Switzerland
2012
  • What we want, what we believe, Chez Valentin, Paris, France
  • Das neue Kunsthaus, Kunsthaus Zurich, Switzerland
  • Chambres à Part VI: Trajectoires Poétiques / Trajectories Politiques, LDAC, Paris, France
2011
  • Galerie Nils Staerk, Copenhagen, Denmark
  • Territoires. Bex & Arts 11e édition, Bex, Switzerland
  • Through the looking brain, Kunstmuseum Bonn, Germany; Kunstmuseum St. Gallen, Switzerland
  • Glaze, Valentin, Paris, France
  • Featuring “What you see is not what it is: views on politics and poetics”, Galerie Chez Valentin, Paris, France
  • Citysonic, Transcultures, Mons, Belgium
2010
  • Bilderwahl! Metamorphose… heute!, Kunsthaus Zürich, Zurich, Switzerland
  • Languages and Experimentations (curated by Giorgio Verzotti), Mart, Rovereto, Italy
  • Die Nase des Michelangelo, Galerie Peter Kilchmann, Zurich, Switzerland
  • Cadre-hors cadre, Espace LAP, Brussels, Belgium
  • Swiss Art Awards, Basel, Switzerland
  • Los Vigilantes a la playa, Galeria Nicoletta Rusconi, Mailand, Italy
2009
  • Rock Garden, Salon 94, New York, USA
  • La vie (a l’epreuve), IAC, Villeurbanne, France
  • Roots, Wentrup, Berlin, Germany
  • Vordemberge-Gildewart Stipendium, Aargauer Kunsthaus, Switzerland
  • Gipfeltreffen, KIT Düsseldorf, Germany
  • Sähen und Jäten, Städtische Galerie Ravensburg, Germany
  • Black Hole (curated by Friederike Nymphius), CCAndratx, Mallorca, Spain
  • The Conspiracy, Kunsthalle Bern, Switzerland
  • Sauvagerie domestique, Ecole municipale Beaux arts/Galerie Edouard Manet,
    Gennevilliers, France
  • Kunsthalle Fridericianum, Kassel, Germany
2008
  • The way in which it landed, Tate Britain, London, UK
  • Shifting Identities, Kunsthaus Zurich, Switzerland
  • Unbalanced, Jack Shainman, New York, USA
  • Ready Made, Galerie Yvon Lambert, Paris, France
  • About Seeing, Kenworthy-Ball, Zurich, Switzerland
  • Werk und Atelierstipendien der Stadt Zurich, Helmhaus, Zurich, Switzerland
  • The Ultimate Collection Show, Migros Museum, Zurich, Switzerland
2007
  • Nouvelles acquisitions/Volet 1, FRAC Nord-Pas de Calais, Dunkerque, France
  • Les Artistes de la Collection Cahiers d’Artistes, Fri-Art, Fribourg, Switzerland
  • Bodycheck, 10. Triennale Kleinplastik, Fellbach/Stuttgart, Germany
  • Timer01, Triennale di Milano, Milano, Italy
  • Mythos, Upstairs, Berlin, Germany
  • Our Magic Hour, Arario Gallery, Seoul, Korea
2006
  • Housewarming, Swiss Institute, New York, USA
  • Aller-Retour 2/Carte blanche à Fischli/Weiss, Centre Culturel Suisse de Paris, France
  • The Expanded Eye, Kunsthaus, Zurich, Switzerland
2005
  • Friedhof-Design, Museum Bellerive, Zurich, Switzerland
  • The Parable Show, Galerie Grimm/Rosenfeld, Munich, Germany
2004
  • Mind over Manner, Galerie Grimm/Rosenfeld, Munich, Germany
  • Kunstlicht Kongress, Galerie Walcheturm, Zurich, Switzerland
  • Made in video. Single Cannel Projections from Switzerland, Art Athina 2004, Athens, Greece
2003
  • It‘s in Our Hands, Migros Museum für Gegenwartskunst, Zurich, Switzerland
  • Game Over, Galerie Grimm/Rosenfeld, Munich, Germany

Collections

Bächler Stiftung, Zurich, Switzerland
Collection La Luxembourgeoise SA d‘Assurances, Luxembourg, Luxembourg
Fotomuseum Winterthur, Switzerland
FRAC Nord de Palais, Dunkerque, France
Julius Bär Art Collection, Zurich, Switzerland
Kunsthaus Zurich, Switzerland
Kunstmuseum Berne, Switzerland
Kunstsammlungen Chemnitz, Germany
LUMAS Collection, Zurich, Switzerland
Migros Museum für Gegenwartskunst, Zurich, Switzerland
Museum Bellpark Kriens, Switzerland
Rosenblum Collection Paris, FR & Singapore, Singapore
Sammlung Philara, Düsseldorf, Germany
The Pizzutti Collection of the Columbus Museum of Art, Columbus, USA

Casado Santapau is pleased to present David Renggli’s most recent work, opening for the first time in Spain.

His series of the Desire Paintings are already a priori inscribed with a poetic and humorous dimension by their location of the word ‘desire’ in the title.

These are medium to large format paintings of silhouette-like silhouettes and geometric forms on wood, framed in an object frame and covered on their upper edge with a coarse-meshed jute net. The fibrous jute fabric is also painted, which results in an overlapping of the motifs on different image planes. The spacing of these and the transparency of the coarse-meshed jute netting create an interesting optical effect as soon as the viewer moves in front of the work.

The artist detaches himself from the usually assumed relatively static way of looking at a painting and a processual moment is inscribed in it with the reception. Depending on the viewing angle, new visual experiences arise for the work. The artist thus dissolves the modernist dictum of the ideal (frontal) viewer location since both levels shift spatially against each other. The overlapping of the motifs creates new images and color effects.

Renggli employs the aesthetics of decorative design and craftsmanship, which he fuses with references to geometric abstraction. In doing so, he challenges the tradition and authority of abstract painting, which was adopted very early into the decorative canon of interior design.

The usually two-dimensional layout of a painting is extended by another plane, resulting in an impression reminiscent of a hybrid between painting and relief. In addition, the coarse-meshed jute fabric acts like a kind of burning glass, seeming to dissolve the color that supports it like a grid while at the same time revealing a view of the colored forms beneath.

In a figurative sense, Renggli’s works make use of the most diverse clichés of longing. His motifs spring from common stereotypes of (art) fantasies, notions of the idyllic and (tourist) places of longing. He breaks them up into their individual parts, reassembles them to let new, abstract images of aspiration emerge in the spaces thus created.